Vol. 71 No. 2 (2025): Władysław Stanisław Reymont – stulecie Nobla

pod redakcją Doroty Samborskiej-Kukuć

Published: 2025-12-31

Full Issue

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Articles

• Traces in the pavement: The perception of London and Paris in The Fragmentary Diary and the correspondence of Władysław Stanisław Reymont

  Aleksandra Leszczyńska

  13-28

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  DOI: https://doi.org/10.18778/1505-9057.71.02

• “I like to blur myself, and through my own softness i feel everything in lighter hues than it really is” – traces of Antonina Szczygielska in Reymont’s Letters and Notes

  Dorota Samborska-Kukuć

  29-43

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  DOI: https://doi.org/10.18778/1505-9057.71.03

• Revision of the pedigree of Lili by Reymont

  Martyna Czyżewska

  45-53

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  DOI: https://doi.org/10.18778/1505-9057.71.04

• And after many days, and after many years by Władysław Reymont – The first draft of The Vampire or an autonomy literary project?

  Jadwiga Goniewicz-Potocka

  55-77

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  DOI: https://doi.org/10.18778/1505-9057.71.05

• Reymont and magic of theatre

  Anna Podstawka

  79-96

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  DOI: https://doi.org/10.18778/1505-9057.71.06

• Homo heroicus: Literary creations in the works of Władysław Reymont

  Katarzyna Badowska

  97-117

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  DOI: https://doi.org/10.18778/1505-9057.71.07

• The affectivity of Reymont’s short stories

  Urszula Pilch

  119-135

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  DOI: https://doi.org/10.18778/1505-9057.71.08

• Who’s the bitch in The Bitch? Noble, peasant and dog relations in a short story by Władysław Stanisław Reymont

  Gabriela Kasprzyk

  137-154

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  DOI: https://doi.org/10.18778/1505-9057.71.09

• “Lizards like flames”, “alleys like ravines”. From the ocularcentrism to anti-visuality of the series From the Italian Impressions by Władysław Reymont

  Sabina Brzozowska

  155-169

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  DOI: https://doi.org/10.18778/1505-9057.71.10

• History painted with sound. The image of the village in small epic forms by Władysław Stanisław Reymont

  Agnieszka Trześniewska-Nowak

  171-187

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  DOI: https://doi.org/10.18778/1505-9057.71.11

• Philistine anatomy. Remarks on the margin of Władysław Stanisław Reymont’s short story Z pamiętnika [From the Diary] (1903)

  Adam Mazurkiewicz

  189-222

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  DOI: https://doi.org/10.18778/1505-9057.71.12

• Religious aspects of Władysław Stanisław Reymont’s short stories during World War I. A few additions

  Marcin Bajko

  223-235

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  DOI: https://doi.org/10.18778/1505-9057.71.13

• Komediantka – The novel of emancipation?

  Mateusz Skucha

  237-250

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  DOI: https://doi.org/10.18778/1505-9057.71.14

• Pyrrhic victories and fortuitous defeats. Notes on the Ferments of Władysław Stanisław Reymont

  Anna Pekaniec

  251-272

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  DOI: https://doi.org/10.18778/1505-9057.71.15

• A victim of the fin de siècle – the decadent in The Vampire by Reymont

  Wiktoria Kozłowska

  273-291

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  DOI: https://doi.org/10.18778/1505-9057.71.16

• Poland before human rights. Infrapolitics vs. nation-building in Władysław Reymont’s Chłopi

  Dobromiła Kasprzyk

  293-311

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  DOI: https://doi.org/10.18778/1505-9057.71.17

• The Peasant herstories in Lipce

  Joanna Szewczyk

  313-330

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  DOI: https://doi.org/10.18778/1505-9057.71.18

• The Sky of Stanisław Władysław Reymont. Reflections after reading Chłopi

  Maria Jolanta Olszewska

  331-359

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  DOI: https://doi.org/10.18778/1505-9057.71.19

• “It is beyond human power”… The characters of The Peasants by Władysław Stanisław Reymont in the face of existential issues. A pars pro toto reading project

  Piotr Kołodziej

  361-379

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  DOI: https://doi.org/10.18778/1505-9057.71.20

• “Spiritual affinity despite numerous opposites”. On the early works of Władysław Stanisław Reymont and Roman Dmowski

  Dezydery Barłowski

  381-405

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  DOI: https://doi.org/10.18778/1505-9057.71.21

• The toxic space of Łódź and Chicago. Władysław Stanisław Reymont’s Promised Land in dialogue with Upton Sinclair’s The Jungle

  Dariusz Piechota

  407-430

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  DOI: https://doi.org/10.18778/1505-9057.71.22

• Łódź in Warsaw and Cracow First edition of Promised Land by Władysław Reymont in “Kurier Codzienny” and “Nowa Reforma”

  Przemysław Pietrzak

  431-452

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  DOI: https://doi.org/10.18778/1505-9057.71.23

• Władysław Stanisław Reymont in “Tygodnik Ilustrowany”. Based on Adam Bar’s card-index

  Dorota Gacka

  453-478

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  DOI: https://doi.org/10.18778/1505-9057.71.24

• Lorentowicz about Reymont: between memoir and pasquil

  Zofia Bojara

  479-494

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  DOI: https://doi.org/10.18778/1505-9057.71.25

• On Jan Lorentowicz’s literary criticism of the works of Władysław Stanisław Reymon

  Paulina Robak

  495-511

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  DOI: https://doi.org/10.18778/1505-9057.71.26

• Reymont’s life and works in the reflections of Adam Grzymała-Siedlecki

  Zuzanna Walczak

  513-524

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  DOI: https://doi.org/10.18778/1505-9057.71.27

• Reymont – double vision. Criticism and women. (Julia Kisielewska – Czesława Endelman-Rosenblat – Maria Łopuszańska – Anna Zahorska)

  Renata Stachura-Lupa

  525-544

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  DOI: https://doi.org/10.18778/1505-9057.71.28

• “A son of the earth”? “The modern kulak”? Reymont in postwar interpretation (1945–1955)

  Magdalena Sadlik

  545-559

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  DOI: https://doi.org/10.18778/1505-9057.71.29

• Character and voice: Operatic contexts in Komediantka by Reymont

  Natalia Kaminiczna

  561-576

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  DOI: https://doi.org/10.18778/1505-9057.71.30

• Chłopi [The Peasants]. One novel – two operas. A comparative study of libretti

  Stefan Drajewski

  577-593

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  DOI: https://doi.org/10.18778/1505-9057.71.31

• Cinematic “chłopomania”: An analysis of the painted film adaptation of The Peasants

  Jolanta Wróblewska

  595-613

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  DOI: https://doi.org/10.18778/1505-9057.71.32

• Rural femme fatale or victim of patriarchy? Cinematic portraits of Jagna Paczesiówna

  Monika Bator

  615-637

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  DOI: https://doi.org/10.18778/1505-9057.71.33

• Jagna as a potential character. About the Peasants by Dorota Kobiela Welchman and Hugh Welchman

  Maria Szoska

  639-656

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  DOI: https://doi.org/10.18778/1505-9057.71.34

Other

• Introduction

  Dorota Samborska-Kukuć

  11-11

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  DOI: https://doi.org/10.18778/1505-9057.71.01