Świat kryptosztuki w latach 2020–2021. Reprodukcja znanej rzeczywistości

Barbara Lewicka

doi:10.18778/1733-8069.21.1.04

Autor

Barbara Lewicka University of Silesia in Katowice https://orcid.org/0000-0001-7692-5008

DOI:

https://doi.org/10.18778/1733-8069.21.1.04

Słowa kluczowe:

NFT, świat sztuki, świat kryptosztuki, socjologia sztuki, perspektywa produkcji kulturowej

Abstrakt

W latach 2020–2021 doszło do wzrostu zainteresowania sztuką NFT i jednocześnie do reprodukcji niektórych struktur klasycznego świata sztuki w przestrzeni wirtualnej. Tę nowo powstałą rzeczywistość można określić mianem świata kryptosztuki, który porównano w artykule z klasycznym światem sztuki. Celem opracowania była klasyfikacja podmiotów świata kryptosztuki, określenie ich ról, scharakteryzowanie relacji wewnętrznych i zewnętrznych, wreszcie wskazanie, że klasyczna perspektywa produkcji kulturowej jest adekwatna do analizy współczesnych zjawisk artystycznych, takich jak twórczość NFT. Badanie oparte było na analizie źródeł pierwotnych i wtórnych. Wyniki wskazują, że klasyczny świat sztuki został odtworzony w świecie kryptosztuki w pięciu obszarach: instytucjonalizacji, legitymizacji, hierarchizacji i polaryzacji, centralizacji, konfliktu ideologicznego. Wyniki wypełniają lukę w jakościowych analizach sztuki NFT i poszerzają wnioski z poprzednich prac na jej temat.

Pobrania

Brak dostępnych danych do wyświetlenia.

Biogram autora

Barbara Lewicka - University of Silesia in Katowice

PhD, Institute of Sociology, University of Silesia. Received a PhD in sociology. Completed postgraduate studies in Art History and Contemporary Visual Culture at the Institute of Art of the Polish Academy of Sciences (2023) and a long-term course on contemporary art at the Barnes Foundation, Philadelphia, USA (2023–2024). Her academic interests include the sociology of art, the sociology of culture, and the sociology of social change. She conducted research at the Terra Foundation for American Art in Paris (2021), at Columbia University in New York as a Fulbright Scholar (2019/2020), and as a Kosciuszko Foundation Fellow (2023).

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