Looking at Arts Institutions, Communities, and Space: Reflections and Research from the Field of Art Sociology

Authors

DOI:

https://doi.org/10.18778/1733-8069.20.3.01

Keywords:

qualitative research, sociology of art, cultural institutions, artistic communities, space

Abstract

In this introduction to the journal issue, the editors characterize the individual scholarly articles included in the volume. They also briefly recall their research interests in the field of art. The texts in the volume deal with three intertwining dimensions: cultural and art institutions, communities (artistic and aesthetic), and space. Most of the authors presented their research at the academic conference ‘Esthetic Communities and Artistic Institutions’ (2023), organized by the Art Sociology Section of the Polish Sociological Association. Polish contemporary sociology of art is mainly empirical sociology. Qualitative research in the field of art sociology in Poland has been used since the 1960s. Initially, they had been treated as experimental, gradually transforming into an increasingly common approach. Sociologists most often used various types of qualitative analyses of materials as well as interviews. Researchers still often use these techniques today, but one can also see the use of other methods, e.g., as part of the art-based research approach (this methodological orientation was used in one of the articles).

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Author Biographies

Agata Sulikowska-Dejena, The Section of the Sociology of Art, The Polish Sociological Association, Poland

Holds M.A. in Art History (a graduate of Adam Mickiewicz University in Poznań) and Ph.D. in Sociology (a graduate of the University of Rzeszów, Institute of Sociological Studies). Her scientific interests include the sociology of culture and the sociology of art, contemporary art, anthropology, and qualitative methodology. She is an art curator and an author of papers on contemporary art, identity, and female artists.

Dominik Porczyński, University of Rzeszów, Poland

Ph.D., an assistant professor at the University of Rzeszów’s Institute of Sociology; studied Polish Role-Playing Games fandom, globalization in peripheral museums of Poland and Slovakia, and the role of cultural heritage in the development of local communities. Currently he focuses on the problem of the former borderland of Galicia and the Kingdom of Poland and its influence on today’s communities. Member of the board of the Section of Qualitative Sociology and Symbolic Interactionism as well as the Section of Sociology of Art. Secretary General of the Polish Association of Cultural Studies.

Ewelina Wejbert-Wąsiewicz, University of Lodz, Poland

Sociologist, post-doctoral degree, professor at the University of Lodz; member of the Polish Sociological Association and the Polish Society for Film and Media Studies; chairperson of Art Sociology Section of the Polish Sociological Association. Her research interests include the sociology of art and culture, the sociology of film, the sociology of male and female artists, and sociocultural taboos, including the topics of old age and abortion. Recent work: Ewelina Wejbert-Wąsiewicz, Emilia Zimnica-Kuzioła, Katarzyna Kalinowska, Katarzyna Kułakowska: Close Contact Theatre: Case Studies of Theatre Groups, University of Lodz Press, Lodz 2024, https://doi.org/10.18778/8331-378-8

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Published

2024-08-31 — Updated on 2024-10-14

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How to Cite

Sulikowska-Dejena, A., Porczyński, D., & Wejbert-Wąsiewicz, E. (2024). Looking at Arts Institutions, Communities, and Space: Reflections and Research from the Field of Art Sociology . Przegląd Socjologii Jakościowej, 20(3), 6–13. https://doi.org/10.18778/1733-8069.20.3.01 (Original work published August 31, 2024)

Issue

Section

Numer tematyczny „Aesthetic Communities – Art Institutions – Space” edited by Ewelina Wejbert-Wąsiewicz, Dominik Porczyński, Agata Sulikowska-Dejena

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