No. 13 (2024): Czytanie auto/biograficzne

View No. 13 (2024): Czytanie auto/biograficzne
Published: 2024-12-31

Full Issue

Articles

  • The Fiction of Auto/biography. New Perspectives on the Ambiguity of Life-Writing/Reading

    Iris Bauer
    7-13
    DOI: https://doi.org/10.18778/2299-7458.13.01

  • Caring for Form: Ali Smith and Contemporary Refugee Life-Writing

    Miriam Nandi
    17-37
    DOI: https://doi.org/10.18778/2299-7458.13.02

  • Epistemic Disruptions. Autofiction and Identity Politics in Paul B. Preciado’s Can the Monster Speak? (2020) and Kim de l’Horizon’s Blutbuch (2022)

    Stephanie Bremerich
    39-66
    DOI: https://doi.org/10.18778/2299-7458.13.03

  • Animals as Online Resources for Human Storytelling. Between Exploitation and Anthrozoological Empowerment

    Iris Bauer
    67-83
    DOI: https://doi.org/10.18778/2299-7458.13.04

  • Life-writing as critical practice. A case study of “Pamiętniki kobiet z rodzin górniczych”

    Monika Glosowitz
    85-104
    DOI: https://doi.org/10.18778/2299-7458.13.05

  • Mimicry, auto-fiction, genealogy. Playing (down) trauma, reconstructing autobiography in the postmemory writing of Monika Rakusa

    Bartosz Dąbrowski
    105-124
    DOI: https://doi.org/10.18778/2299-7458.13.06

  • The Auto/biographical Nature of Ukrainian Women’s Literature on the War in Donbas

    Anna Gaidash
    125-139
    DOI: https://doi.org/10.18778/2299-7458.13.07

  • Women’s Biography in Modern Ukrainian Women’s War Fiction: the Case of the Novel Because It Hurts by Yevhenia Senik

    Snizhana Zhygun
    141-155
    DOI: https://doi.org/10.18778/2299-7458.13.08

  • “An easy way to efficiently quit Russian.” Metalinguistic awareness and autobiographism in Eastern European stand-up during the war

    Yaraslava Ananka
    157-173
    DOI: https://doi.org/10.18778/2299-7458.13.09

  • A writing monument. Individual and collective auto-biographism in Giacomo Leopardi’s Zibaldone

    Zbigniew Fiedorczuk, Alessio Mangiapelo
    175-196
    DOI: https://doi.org/10.18778/2299-7458.13.10

  • Between autobiography and autofiction: Małgorzata Halber’s novel titled Najgorszy człowiek na świecie

    Aleksandra Szymańska
    197-211
    DOI: https://doi.org/10.18778/2299-7458.13.11

  • Jim Carrey does not exist. A celebrity quasi-autoethnography for the end of the world

    Klaudia Węgrzyn
    213-226
    DOI: https://doi.org/10.18778/2299-7458.13.12

  • Reportage family biography as a polemic against cultural ethos. On the problems of Kashubian religiosity in Welewetka by Stasia Budzisz

    Mariusz Maciak
    227-241
    DOI: https://doi.org/10.18778/2299-7458.13.13

Reading from a Perspective

Reading Łódź

  • ‘As Though It Were A Sacred Relic’: The Troubled Holocaust Poetry of Julian Tuwim

    Myer Siemiatycki
    271-293
    DOI: https://doi.org/10.18778/2299-7458.13.16

  • Brzeziny near Łódź: former life of a small town. Fictional and memoir traces

    Tomasz Cieślak
    295-319
    DOI: https://doi.org/10.18778/2299-7458.13.17

  • Łódź tropes in Kazimierz Sowiński’s Gwiazdy na strychu

    Dorota Samborska-Kukuć
    321-332
    DOI: https://doi.org/10.18778/2299-7458.13.18

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