O pożytkach badań poetyckich w naukach społecznych

Autor

DOI:

https://doi.org/10.18778/1733-8069.20.2.03

Słowa kluczowe:

badania poetyckie, autoetnografia, działania artystyczne w procesie badawczym (ABR), metodologia badań jakościowych

Abstrakt

Poezja nie jest wciąż traktowana jako uprawomocniona naukowo metoda badania i reprezentowania zebranych danych w jakościowych badaniach empirycznych. Jednakże założenie o istnieniu sprzeczności między myśleniem naukowym i twórczością poetycką jest jedynie pozorne. Badania poetyczne to podejście badawcze, które wykorzystuje poezję jako metodę eksploracji, analizy i reprezentacji wyników badania. W artykule autorka wyjaśnia, dlaczego warto sięgać po formy poetyckie na różnych etapach procesu badawczego. Pokazuje, w jaki sposób można tworzyć poezję z uzyskanych danych, a także omawia cechy wyróżniające ars poetica, które mogą posłużyć za punkty odniesienia dla badań poetyckich w badaniach jakościowych, tak aby przekazać bogactwo ludzkich doświadczeń, które może nie być w pełni uchwycone przez tradycyjne teksty akademickie.

Pobrania

Brak dostępnych danych do wyświetlenia.

Biogram autora

Joanna Bielecka-Prus - Uniwersytet Marii Curie-Skłodowskiej w Lublinie

Doktor, adiunkt w Instytucie Socjologii Uniwersytetu Marii Curie-Skłodowskiej w Lublinie. Jej zainteresowania badawcze koncentrują się wokół problematyki badań jakościowych i wykorzystywania tych metod w badaniach terenowych nad migracjami, marginalizacją społeczną, obcością i tożsamością społeczną. Jest autorką książek Transmisja kultury w rodzinie i w szkole. Teoria Basila Bernsteina (2010) oraz Nepalczycy w Polsce (2023).

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Pobrania

Opublikowane

2024-05-31 — zaktualizowane 2024-07-10

Wersje

Jak cytować

Bielecka-Prus, J. (2024). O pożytkach badań poetyckich w naukach społecznych. Przegląd Socjologii Jakościowej, 20(2), 36–61. https://doi.org/10.18778/1733-8069.20.2.03 (Original work published 31 maj 2024)

Numer

Dział

Numer tematyczny „Badania jakościowe – metody, współuczestnicy, proces realizacji” pod redakcją Izabeli Ślęzak

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