Venice from Another Perspective
DOI:
https://doi.org/10.18778/2299-7458.09.11Keywords:
space experience, Venetian culture and art, Joseph BrodskyAbstract
This essay with a clearly personal touch is a narrative anchored in cultural texts which deals with experiencing Venice in a multi-faceted way. Talking about his many years of wandering around the city (in the company of, for instance, Joseph Brodsky) and describing places and architectural details important to him, the author argues that especially the mediation of painting, which also documented the history of Venice, allows for a better understanding of the phenomenon of the city. This fusion of the two modalities of experience is also reflected in the structure of the text, which closes the reflection on the contemporary condition of the city and various threats which Venice has to face.
Downloads
References
Brodsky, Joseph. “Flight from Byzantium.” In Less Than One: Selected Essay, 393–446. New York: Farrar, Straus, Giroux, 1986.
Google Scholar
Brodsky, Joseph. Watermark: An Essay on Venice. London: Pengiun, 2013.
Google Scholar
Herling-Grudziński, Gustaw. Portret wenecki. Trzy opowiadania. Lublin: Wydawnictwo UMCS, 1995.
Google Scholar
Miłosz, Czesław. “Czeladnik.” In: Druga przestrzeń, 96. Krakow: Znak, 2002.
Google Scholar
Muratow, Paweł. Obrazy Włoch. Translated by Paweł Hertz. Warsaw: PIW, 1972.
Google Scholar
Venclova, Tomas. “Obrócone w ciszę.” Translated by Beata Kalęba. Zeszyty Literackie (2017), 115.
Google Scholar
Weil, Simone. Wenecja ocalona. Translated by Adam Wodnicki. Krakow: Austeria, 2007.
Google Scholar
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.