Vol. 17 No. 3 (2012): Dziennikarstwo

View Vol. 17 No. 3 (2012): Dziennikarstwo
Published: 2012-09-30

Articles

  • Truth in journalism. My experience

    Adam Boniecki
    11-13
    DOI: https://doi.org/10.18778/1505-9057.17.02

  • Anti-Semitic threads in “Kurier Łódzki” in the Interwar period

    Miłosz Hrycek
    17-30
    DOI: https://doi.org/10.18778/1505-9057.17.03

  • The places where thinking is promoted. The activity of culture periodicals in Poland after 1989

    Renata Nolbrzak
    31-39
    DOI: https://doi.org/10.18778/1505-9057.17.04

  • The reader as a co-author of a local newspaper. “Nowe Życie Pabianic” (The New Life of Pabianice) as a case in point

    Magdalena Hodak
    40-50
    DOI: https://doi.org/10.18778/1505-9057.17.05

  • Anthropological reflection on press journalism

    Sebastian Latocha
    51-61
    DOI: https://doi.org/10.18778/1505-9057.17.06

  • Being a politician, being a journalist – Jan Maria Rokita, based on chosen examples

    Juliusz Mroziński
    62-77
    DOI: https://doi.org/10.18778/1505-9057.17.07

  • The actor in the radio drama

    Aleksandra Pawlik
    81-94
    DOI: https://doi.org/10.18778/1505-9057.17.08

  • The genres of a sports commentary, running commentary, and news broadcast – a review of definitions

    Beata Grochala
    95-105
    DOI: https://doi.org/10.18778/1505-9057.17.09

  • News in television broadcast

    Krzysztof Grzegorzewski
    106-112
    DOI: https://doi.org/10.18778/1505-9057.17.10

  • On the television operator’s workshop

    Stanisław Ścieszko
    113-116
    DOI: https://doi.org/10.18778/1505-9057.17.11

  • Dialogue on public, commercial, regional and local television. An interview between Tomasz Lasota (TVP Łódź) and Remigiusz Mielczarek (TOYA)

    Zbigniew Bednarek
    117-124
    DOI: https://doi.org/10.18778/1505-9057.17.12

  • Music journalism as an academic subject

    Krzysztof Grzegorzewski
    127-135
    DOI: https://doi.org/10.18778/1505-9057.17.13

  • Commentary on classical music in the Polish national and regional media

    Magdalena Sasin
    136-146
    DOI: https://doi.org/10.18778/1505-9057.17.14

  • Market segmentation of the contemporary Polish music press

    Joanna Mikosz
    147-161
    DOI: https://doi.org/10.18778/1505-9057.17.15

  • The semantic function of music in radio drama

    Joanna Bachura, Aleksandra Pawlik
    162-170
    DOI: https://doi.org/10.18778/1505-9057.17.16

  • The role of music in a modern radio reportage

    Kinga Klimczak, Paulina Czarnek
    171-181
    DOI: https://doi.org/10.18778/1505-9057.17.17

  • Materialisations of the music radio formats in the Polish media

    Agnieszka Garcarek
    182-188
    DOI: https://doi.org/10.18778/1505-9057.17.18

  • Intertextuality and genres as an interpretative key to Krzysztof Kieślowski’s “Three Colours. White”

    Bogumiła Fiołek-Lubczyńska
    205-219
    DOI: https://doi.org/10.18778/1505-9057.17.23

  • Film representation of the verification in journalism

    Agnieszka Barczyk
    220-226
    DOI: https://doi.org/10.18778/1505-9057.17.24

  • Browser text games – a new field for role-play

    Karolina Nowaczek
    227-236
    DOI: https://doi.org/10.18778/1505-9057.17.25

Other

  • Od redakcji

    Barbara Bogołębska, Marzena Woźniak-Łabieniec
    10-10
    DOI: https://doi.org/10.18778/1505-9057.17.01

  • Between the ideal and possibilities. Reviewing classical music in daily press

    Magdalena Sasin
    191-193
    DOI: https://doi.org/10.18778/1505-9057.17.19

  • Ethics in music journalism

    Remigiusz Milczarek
    194-196
    DOI: https://doi.org/10.18778/1505-9057.17.20

  • Characteristics of music journalist’s work in a public radio station

    Piotr Stańczyk
    197-199
    DOI: https://doi.org/10.18778/1505-9057.17.21

  • Musical programming in mainstream radio stations (including the CHR format)

    Krzysztof Skrzypkowski
    200-202
    DOI: https://doi.org/10.18778/1505-9057.17.22