Svetlana Slapšak’s Feminist Essay: A Polygraph of Contemporary Culture

Autor

DOI:

https://doi.org/10.18778/2299-7458.08.12

Słowa kluczowe:

Serbian contemporary essay, feminism, textual interventions, power of objection, Svetlana Slapšak

Abstrakt

The article discusses the problem of the theory and practice of contemporary Serbian feminist essay. The text indicates how – at the turn of the 21st century – the essay participated in the reading of the nationalist culture of fear during the breakup of Yugoslavia, how it became the tool for creating an analytical and methodological platform and a means of quick anthropological and cultural diagnoses, as well as a form of transfer of social or philosophical notions. This new strategy of the essay was illustrated through the examples of books by Svetlana Slapšak, a leading figure of the (sub)genre in the Serbian culture, a professor of cultural anthropology, classical philologist, and feminist critic: Mala crna haljina. Eseji o antropologiji i feminizmu (1993/2007, Little Black Dress. Essays on Anthropology and Feminism), Ženske ikone XX veka (2001, Female Icons of the 20th Century), Ženske ikone antičkog sveta (2006, Female Icons of the Antiquity), Antička miturgija: žene (2013, Antique Mythurgy: Women). It becomes clear that one of the trends of the contemporary essay in the Serbian and post-Yugoslav cultures is the application of the genre in the spirit of modern engaged humanities and textual intervention.

Pobrania

Brak dostępnych danych do wyświetlenia.

Biogram autora

Magdalena Koch - Adam Mickiewicz University

Magdalena Koch – professor at the Institute of Slavic Philology, Adam Mickiewicz University in Poznań, head of the Balkan Gender and Trans-Cultural Studies Research Unit. Her academic research interests include the study of history of Serbian, Croatian, and Bosnian literatures of the 19th, 20th, and 21st centuries; gender studies; Serbian feminist essay; Serbian and Croatian modern drama and theatre; the studies of Sephardi Jews in the Balkans. She is the author of the following monographs: Podróże w czasie i przestrzeni. Proza Isidory Sekulić (2000), ...kiedy dojrzejemy jako kultura... Twórczość pisarek serbskich na początku XX wieku (kanon – genre – gender) (2007; supplemented and expanded edition in Serbian: Belgrade 2012), and Mistrzynie myślenia. Serbski esej feministyczny: XIX-XXI wiek (2019). She is also the co-author of the monograph titled Milena Pavlović Barilli EX POST (Belgrade, 2009). She was the thematic editor of an issue of the “Poznańskie Studia Slawistyczne” journal (Gender Theories and Practices in Slavic Cultural Texts. Innovation – Inspiration – Interpretation, 11/2016), and of the “Studia Judaica” journal (Strategies of Survival: Balkan Jewish Women and Cultural Representations of Memory 2018, no. 1, issue 41, in collaboration with Katarzyna Taczyńska). She translates from Serbian, Croatian, and Bosnian prose (Miloš Crnjanski, Miroslav Mićanović, Nenad Veličković, Damir Arsenijević), drama (Tanja Šljivar, Ivana Sajko, Lada Kaštelan, Adnan Lugonić), and poetry (Dubravka Đurić, Ferida Duraković).

Bibliografia

Barnes J.A., A Structural Amnesia, [in:] J.A. Barnes, Models and Interpretations. Selected Essays, Cambridge 1947.
Google Scholar

Bednarek J., Linie kobiecości. Jak różnica płciowa przekształciła literaturę i filozofię?, Warsaw 2015.
Google Scholar

Brach-Czaina J., Błony umysłu, Warsaw 2003.
Google Scholar

Brach-Czaina J., Szczeliny istnienia, Warsaw 2018.
Google Scholar

Chmielewska K., Jak możliwa jest poetyka (eseju)?, “ Teksty Drugie” 2001, issue 3/4, pp. 134-138.
Google Scholar

Domańska E., Historia egzystencjalna. Krytyczne studium narratywizmu i humanistyki zaangażowanej, Warsaw 2012.
Google Scholar

Encyclopedia of the Essay, ed. T. Chevalier, London–Chicago 1997.
Google Scholar

Hilsbecher W., Esej o eseju, [in:] W. Hilsbecher, Tragizm, absurd i paradoks. Eseje, selection and introduction by S. Lichański, transl. S. Bałut, Warsaw 1972.
Google Scholar

Эпштейн Михаил Наумович, ПАРАДОКСЫ НОВИЗНЫ. О литературном развитии Х1Х-ХХ веков, Москва 1988.
Google Scholar

Линија испод које се не може ићи, Разговор са Светланом Слапшак водиле Биљана Дојчиновић и Ана Коларић, „Књиженство: часопис за студије књижевности, рода и културе”, 6/2016. http://www.knjizenstvo.rs/magazine.php
Google Scholar

Markowski M.P., Czy możliwa jest poetyka eseju?, [in:] Poetyka bez granic: Z Dziejów Form Artystycznych w Literaturze Polskiej, eds. W. Bolecki, W. Tomasik, Warsaw 1995.
Google Scholar

Nycz R., Kultura jako czasownik. Sondowanie nowej humanistyki, Warsaw 2017.
Google Scholar

Rosić T., Feministički esej u srpskoj književnosti i raspad Jugoslavije, “Književna istorija” 2015, vol. XLVII, issue 157, pp. 233-254.
Google Scholar

Sendyka R., Nowoczesny esej. Studium historycznej świadomości gatunku, Kraków 2006.
Google Scholar

Sendyka R., Od kultury „ja” do kultury „siebie”. O zwrotnych formach w projektach tożsamościowych, Kraków 2015.
Google Scholar

Slapšak S., Mala crna haljina. Eseji o anropologiji i feminizmu, transl. from Slovenian J. Petrović, Belgrade 2007.
Google Scholar

Slapšak S., Žene, Jugoslavija, antikomunistička narkoza i novi kolonijalizam: mape, putevi, izlazi, “Poznańskie Studia Slawistyczne” 2013, issue 5, pp. 249-263.
Google Scholar DOI: https://doi.org/10.14746/pss.2013.5.18

Slapšak S., Ženske ikone XX veka, Belgrade 2001.
Google Scholar

Slapšak S., Ženske ikone antičkog sveta, Belgrade 2006.
Google Scholar

Šalgo J., Četiri fantazije na temu: esej, [in:] J. Šalgo, Jednokratni eseji, ed. V. Pavković, Belgrade 2000.
Google Scholar

The Politics of the Essay. Feminist Perspectives, eds. R.E. Boetcher Joers, E. Mittman, Bloomington 1993.
Google Scholar

Opublikowane

2019-12-30

Jak cytować

Koch, M. (2019). Svetlana Slapšak’s Feminist Essay: A Polygraph of Contemporary Culture. Czytanie Literatury. Łódzkie Studia Literaturoznawcze, (8), 93–111. https://doi.org/10.18778/2299-7458.08.12

Numer

Dział

Artykuły