No. 14 (2021): Poetyka literatury rosyjskiej

View No. 14 (2021): Poetyka literatury rosyjskiej

Red. Aleksandra Szymańska i Aleksandr Stiepanow

Published: 2021-12-23

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  • Introduction

    Aleksandr Stepanov, Aleksandra Szymańska
    7
    DOI: https://doi.org/10.18778/1427-9681.14.01

Articles

  • Birds’ Eden: Birds of Paradise in Early Modern Russian Culture

    Olga Kuznetsova
    9-16
    DOI: https://doi.org/10.18778/1427-9681.14.02

  • The Formation of a Variety of the Travelogue Genre: Travels Through Russia in 18th-Century French Literature

    Nina Korzina
    17-25
    DOI: https://doi.org/10.18778/1427-9681.14.03

  • On Some Features of Derzhavin’s Late Metric-Stanzaic Repertoire

    Ekaterina Pasternak
    27-38
    DOI: https://doi.org/10.18778/1427-9681.14.04

  • A Dark-Skinned Muse: a Duel in the Steppe

    Andrei Kunarev
    39-57
    DOI: https://doi.org/10.18778/1427-9681.14.05

  • Love, Gender Roles and Stereotypes in Chekhov’s Stories from Peasants’ Life (“Agafya”, “Baby”)

    Anatolii Sobennikov
    59-68
    DOI: https://doi.org/10.18778/1427-9681.14.06

  • The Dialogical Quality of the Russian Poetry of the Silver Age: A Case Study of Poems about Don Juan

    Aleksandra Szymańska
    69-79
    DOI: https://doi.org/10.18778/1427-9681.14.07

  • The Poem “Neslyshnyi, Melkyi Padal Dozhd’…” by Nikolai Gumilyov: The Motive of the Double and the Quest to Understand the Nature of Evil

    Arkadii Chevtaev
    81-95
    DOI: https://doi.org/10.18778/1427-9681.14.08

  • Iosif Brodsky’s Anapestic Dimeter: Rhythm and Semantics

    Olga Barash
    97-110
    DOI: https://doi.org/10.18778/1427-9681.14.09

  • Boris Pasternak’s “Wind (Four Fragments About Blok)” as a Neotraditionalist Cycle

    Dzhongkhen Li
    111-121
    DOI: https://doi.org/10.18778/1427-9681.14.10

  • The Motif of Palingenesis in the Megatext of World War I

    Diana Molchanova
    123-132
    DOI: https://doi.org/10.18778/1427-9681.14.11

  • Metabole as a Dominant Type of Verbal Image in Metarealism: Reasons for Distinguishing and Ways of Analysing It

    Aleksei Masalov
    133-144
    DOI: https://doi.org/10.18778/1427-9681.14.12

  • Biblical Allusions in Contemporary Russian Poetry

    Vladimir Karasik
    145-156
    DOI: https://doi.org/10.18778/1427-9681.14.13

  • “Self-Portrait” and the Issues of the Visual in the Russian Poetry of the 20th Century

    Viktoriia Malkina
    157-168
    DOI: https://doi.org/10.18778/1427-9681.14.14

  • Photopoetics as Structure: ‘A Camera is a Scary Thing…’ by Boris Khersonsky

    Mariia Samarkina
    169-179
    DOI: https://doi.org/10.18778/1427-9681.14.15

  • Genrikh Sapgir: “…Children’s Thinking is Much Like Poetry”

    Elena Balashova, Igor Kargashin
    181-189
    DOI: https://doi.org/10.18778/1427-9681.14.16

  • “Parad Idiotov” by Gehrikh Sapgir in the Context of Twentieth-Century Poetry

    Svetlana Artemova
    191-202
    DOI: https://doi.org/10.18778/1427-9681.14.17

  • “Ya Ne Zabudu Svoyei Kolybelnoi…” by Pyotr Vegin: a Genre-Oriented Analysis

    Boris Ivaniuk
    203-213
    DOI: https://doi.org/10.18778/1427-9681.14.18

  • “Vsyo ne tak, kak nado…”: from Vysotsky’s parody to Pyetzukh’s remake (axiologisation of Russian classic)

    Dechka Chavdarova
    215-230
    DOI: https://doi.org/10.18778/1427-9681.14.19

  • The Phenomenon of Silence in Contemporary Russian Fiction (The Novels of Yevgeny Vodolazkin, Lyudmila Ulitskaya and Guzel Yakhina)

    Tünde Szabó
    231-246
    DOI: https://doi.org/10.18778/1427-9681.14.20

  • Determinants of Time in Yevgeny Vodolazkin’s Novel “The Aviator”

    Piotr Baleja
    247-260
    DOI: https://doi.org/10.18778/1427-9681.14.21

  • On Visual and Graphic Experimentation in a Prose Text (Knishka Pollok’s “Writing in the Fourth Degree”)

    Aleksandr Stepanov
    261-273
    DOI: https://doi.org/10.18778/1427-9681.14.22

  • A Young Poet from the Pavlodar Region: The Originality of the Poetry of Ilya Argentum

    Elena Novoselova, Olga Iost
    275-284
    DOI: https://doi.org/10.18778/1427-9681.14.23