No. 14 (2021)

Published: 2021-12-23

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Introduction

Aleksandr Stepanov, Aleksandra Szymańska

7
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Articles

Birds’ Eden: Birds of Paradise in Early Modern Russian Culture

Olga Kuznetsova

9-16
- PDF (Русский)
The Formation of a Variety of the Travelogue Genre: Travels Through Russia in 18th-Century French Literature

Nina Korzina

17-25
- PDF (Русский)
On Some Features of Derzhavin’s Late Metric-Stanzaic Repertoire

Ekaterina Pasternak

27-38
- PDF (Русский)
A Dark-Skinned Muse: a Duel in the Steppe

Andrei Kunarev

39-57
- PDF (Русский)
Love, Gender Roles and Stereotypes in Chekhov’s Stories from Peasants’ Life (“Agafya”, “Baby”)

Anatolii Sobennikov

59-68
- PDF (Русский)
The Dialogical Quality of the Russian Poetry of the Silver Age: A Case Study of Poems about Don Juan

Aleksandra Szymańska

69-79
- PDF
The Poem “Neslyshnyi, Melkyi Padal Dozhd’…” by Nikolai Gumilyov: The Motive of the Double and the Quest to Understand the Nature of Evil

Arkadii Chevtaev

81-95
- PDF (Русский)
Iosif Brodsky’s Anapestic Dimeter: Rhythm and Semantics

Olga Barash

97-110
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Boris Pasternak’s “Wind (Four Fragments About Blok)” as a Neotraditionalist Cycle

Dzhongkhen Li

111-121
- PDF (Русский)
The Motif of Palingenesis in the Megatext of World War I

Diana Molchanova

123-132
- PDF (Русский)
Metabole as a Dominant Type of Verbal Image in Metarealism: Reasons for Distinguishing and Ways of Analysing It

Aleksei Masalov

133-144
- PDF (Русский)
Biblical Allusions in Contemporary Russian Poetry

Vladimir Karasik

145-156
- PDF (Русский)
“Self-Portrait” and the Issues of the Visual in the Russian Poetry of the 20th Century

Viktoriia Malkina

157-168
- PDF (Русский)
Photopoetics as Structure: ‘A Camera is a Scary Thing…’ by Boris Khersonsky

Mariia Samarkina

169-179
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Genrikh Sapgir: “…Children’s Thinking is Much Like Poetry”

Elena Balashova, Igor Kargashin

181-189
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“Parad Idiotov” by Gehrikh Sapgir in the Context of Twentieth-Century Poetry

Svetlana Artemova

191-202
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“Ya Ne Zabudu Svoyei Kolybelnoi…” by Pyotr Vegin: a Genre-Oriented Analysis

Boris Ivaniuk

203-213
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“Vsyo ne tak, kak nado…”: from Vysotsky’s parody to Pyetzukh’s remake (axiologisation of Russian classic)

Dechka Chavdarova

215-230
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The Phenomenon of Silence in Contemporary Russian Fiction (The Novels of Yevgeny Vodolazkin, Lyudmila Ulitskaya and Guzel Yakhina)

Tünde Szabó

231-246
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Determinants of Time in Yevgeny Vodolazkin’s Novel “The Aviator”

Piotr Baleja

247-260
- PDF (Русский)
On Visual and Graphic Experimentation in a Prose Text (Knishka Pollok’s “Writing in the Fourth Degree”)

Aleksandr Stepanov

261-273
- PDF (Русский)
A Young Poet from the Pavlodar Region: The Originality of the Poetry of Ilya Argentum

Elena Novoselova, Olga Iost

275-284
- PDF (Русский)

The electronic version of the journal is fully available on the website in Open Access:	Archive
Paid subscription for print version only. For further information, please contact:	ksiegarnia@uni.lodz.pl

No. 14 (2021)

Full Issue

Other

Introduction

Articles

Birds’ Eden: Birds of Paradise in Early Modern Russian Culture

The Formation of a Variety of the Travelogue Genre: Travels Through Russia in 18th-Century French Literature

On Some Features of Derzhavin’s Late Metric-Stanzaic Repertoire

A Dark-Skinned Muse: a Duel in the Steppe

Love, Gender Roles and Stereotypes in Chekhov’s Stories from Peasants’ Life (“Agafya”, “Baby”)

The Dialogical Quality of the Russian Poetry of the Silver Age: A Case Study of Poems about Don Juan

The Poem “Neslyshnyi, Melkyi Padal Dozhd’…” by Nikolai Gumilyov: The Motive of the Double and the Quest to Understand the Nature of Evil

Iosif Brodsky’s Anapestic Dimeter: Rhythm and Semantics

Boris Pasternak’s “Wind (Four Fragments About Blok)” as a Neotraditionalist Cycle

The Motif of Palingenesis in the Megatext of World War I

Metabole as a Dominant Type of Verbal Image in Metarealism: Reasons for Distinguishing and Ways of Analysing It

Biblical Allusions in Contemporary Russian Poetry

“Self-Portrait” and the Issues of the Visual in the Russian Poetry of the 20th Century

Photopoetics as Structure: ‘A Camera is a Scary Thing…’ by Boris Khersonsky

Genrikh Sapgir: “…Children’s Thinking is Much Like Poetry”

“Parad Idiotov” by Gehrikh Sapgir in the Context of Twentieth-Century Poetry

“Ya Ne Zabudu Svoyei Kolybelnoi…” by Pyotr Vegin: a Genre-Oriented Analysis

“Vsyo ne tak, kak nado…”: from Vysotsky’s parody to Pyetzukh’s remake (axiologisation of Russian classic)

The Phenomenon of Silence in Contemporary Russian Fiction (The Novels of Yevgeny Vodolazkin, Lyudmila Ulitskaya and Guzel Yakhina)

Determinants of Time in Yevgeny Vodolazkin’s Novel “The Aviator”

On Visual and Graphic Experimentation in a Prose Text (Knishka Pollok’s “Writing in the Fourth Degree”)

A Young Poet from the Pavlodar Region: The Originality of the Poetry of Ilya Argentum

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Acta Universitatis Lodziensis. Folia Litteraria Rossica
Academic yearbook ISSN: 1427-9681 e-ISSN: 2353-4834 Editor-in-Chief: Ewa Sadzińska	Publisher: Lodz University Press ul. Jana Matejki 34 A., postal code: 90-237, Łódź Tel.: 42 235 01 65, fax: 42 66 55 86 Publisher's office: journals@uni.lodz.pl