“Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan

Autor

  • Nicole Fayard University of Leicester, UK

DOI:

https://doi.org/10.18778/2083-8530.19.08

Słowa kluczowe:

Declan Donnellan, Cheek by Jowl, Shakespeare in Europe, Translation, Direction, Archetypes, Brexit

Abstrakt

In this interview acclaimed director Declan Donnellan, co-founder of the company Cheek by Jowl, discusses his experience of performing Shakespeare in Europe and the attendant themes of cultural difference, language and translation. Donnellan evokes his company’s commitment to connecting with audiences globally. He keeps returning to Shakespeare, as his theatre enables the sharing of our common humanity. It allows a flesh-and-blood carnal interchange between the actors and the audience which directly affects individuals. This interchange has significant consequences in terms of translation and direction.

Pobrania

Brak dostępnych danych do wyświetlenia.

Biogram autora

Nicole Fayard - University of Leicester, UK

Nicole Fayard is Associate Professor of French at the University of Leicester. Her research interests focus on the politics of the performance, translation and remediation of Shakespeare in France and Europe, with particular reference to cultural memory and transnational identities. Her numerous publications in this field include The Performance of Shakespeare in France since the Second World War: Re-Imagining Shakespeare (Mellen 2006) and Comparative Drama: Over His Dead Body (2016) co-edited with Erica Sheen. Her other research interests focus on the history and politics of gender violence and trauma, social movements and feminist activism in contemporary France. She published Speaking Out. Women Healing From the Trauma of Violence in 2014.

Bibliografia

Berne, Eric. Games People Play: The Psychology of Human Relationships. Harmondsworth: Penguin, 1964.
Google Scholar

Cheek by Jowl. 5 September 2017. <http://www.cheekbyjowl.com/declan_donnellan.php>.
Google Scholar

Derrida, Jacques. Spectres of Marx: The State of the Debt, the Work of Mourning and the New International. Trans. Peggy Kamuf. New York: Routledge, 1994.
Google Scholar

Donnellan, Declan. The Actor and The Target. 2nd ed. London: Nick Hern Books, 2005.
Google Scholar

Eisler, Anna D., Hannes Eisler and Mitsuo M. Yoshida. “Perception of Human Ecology: Cross-cultural and Gender Comparisons.” Journal of Environmental Psychology 23 (2003): 89-101.
Google Scholar

Jung, Carl Gustav. The Collected Works of C.G. Jung. Vol. 8. The Structure and Dynamics of the Psyche. 4th ed. London: Routledge & K. Paul, 1969.
Google Scholar

Rapoport, Amos. The Meaning of the Built Environment: A Nonverbal Communication Approach. London: Sage Publications, 1982.
Google Scholar

Sanderson, David. “Filming Shakespeare on Stage has a Tragic Flaw: Actors Hate It.” The Times, 16 January 2019: 3.
Google Scholar

Shakespeare, William. “Richard II.” William Shakespeare The Complete Works. Eds. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1988. 367-395.
Google Scholar

Opublikowane

2019-06-30

Jak cytować

Fayard, N. (2019). “Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan. Multicultural Shakespeare: Translation, Appropriation and Performance, 19(34), 139–159. https://doi.org/10.18778/2083-8530.19.08

Podobne artykuły

<< < 5 6 7 8 9 10 11 12 13 14 > >> 

Możesz również Rozpocznij zaawansowane wyszukiwanie podobieństw dla tego artykułu.