Vol. 22 No. 37 (2020): Thematic Issue: Shakespeare, Blackface, and Performance: A Global Exploration

View Vol. 22 No. 37 (2020): Thematic Issue: Shakespeare, Blackface, and Performance: A Global Exploration

Editors: Yoshiko Kawachi and Krystyna Kujawinska Courtney
Guest Editors: Coen Heijes and Ayanna Thompson

Increasing the participation of foreign reviewers in assessing articles approved for publication in the semi-annual journal Multicultural Shakespeare: Translation, Appropriation and Performance financed through contract no. 605/P-DUN/2019 from the funds of the Ministry of Science and Higher Education devoted to the promotion of scholarship

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Published: 2020-12-30

Full Issue

Articles

  • Black, White and Blue: Pregnancy and Unsettled Binaries in The Masque of Blackness (1605)

    Pascale Aebischer, Victoria Sparey
    15-36
    DOI: https://doi.org/10.18778/2083-8530.22.02

  • Othello-dor: Racialized Odor In and On Othello

    Benjamin Steingass
    37-49
    DOI: https://doi.org/10.18778/2083-8530.22.03

  • Brown, Never Black: Othello on the Nazi Stage

    Alessandra Bassey
    51-65
    DOI: https://doi.org/10.18778/2083-8530.22.04

  • Othello and the Ambivalences of Italian Blackface

    Shaul Bassi, Igiaba Scego
    67-85
    DOI: https://doi.org/10.18778/2083-8530.22.05

  • How Should You Perform and Watch Othello and Hairspray in a Country Where You Could Never Hire Black Actors? Shakespeare and Casting in Japan

    Kitamura Sae
    87-101
    DOI: https://doi.org/10.18778/2083-8530.22.06

  • Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies

    Katherine Hennessey
    103-123
    DOI: https://doi.org/10.18778/2083-8530.22.07

  • Othello in the Balkans: Performing Race Rhetoric on the Albanian Stage

    Marinela Golemi
    125-138
    DOI: https://doi.org/10.18778/2083-8530.22.08

  • “Far more fair than black”: Othellos on the Chilean Stage

    Paula Baldwin Lind
    139-170
    DOI: https://doi.org/10.18778/2083-8530.22.09

  • The Moor’s Political Colour: Race and Othello in Poland

    Anna Kowalcze-Pawlik
    171-190
    DOI: https://doi.org/10.18778/2083-8530.22.10

Other

  • Introduction: Shakespeare, Blackface and Performance. A Global Perspective

    Coen Heijes, Ayanna Thompson
    9-14
    DOI: https://doi.org/10.18778/2083-8530.22.01

  • Book Reviews

    Limin Li, Qian Jiang
    191-201
    DOI: https://doi.org/10.18778/2083-8530.22.11

  • Theatre Reviews

    Xenia Georgopoulou
    203-209
    DOI: https://doi.org/10.18778/2083-8530.22.12