Vol. 31 No. 46 (2025): Thematic Volume: Shakespeare Shelter for Ukraine

View Vol. 31 No. 46 (2025): Thematic Volume: Shakespeare Shelter for Ukraine

Volume curators: Nicoleta Cinpoeş, Imke Lichterfeld

Published: 2025-12-30

Full Issue

Articles

  • The Ukrainian Project in the Free World: The Ukrainian Shakespeare Society

    Ludmiła Mnich
    21-36
    DOI: https://doi.org/10.18778/2083-8530.31.03

  • Shakespeare Studies at the Ivan Franco National University of Lviv: Maiia Harbuziuk in memoriam

    Myroslava Tsyhanyk, Khrystyna Novosad-Lesiuk
    37-47
    DOI: https://doi.org/10.18778/2083-8530.31.04

  • The Quest for Selfhood: Shakespeare’s Sonnets Interpreted by Maria Hablevych

    Anna Sverediuk, Oksana Dzera
    49-67
    DOI: https://doi.org/10.18778/2083-8530.31.05

  • Britain, Shakespeare, and Ukraine Interview with Prof. Nataliya Torkut, Head of Український Шекспірівський центр [Ukrainian Shakespeare Centre; Ukraïns’kij Šekspìrìvs’kij centr] by Dr. Olha Kvasnytsia, journalist at the newspaper День [The Day; Denʼ]

    Olha Kvasnytsia, Nataliya Torkut
    69-90
    DOI: https://doi.org/10.18778/2083-8530.31.06

  • Virtual Museum “#Hamlet_UA: Act 1, Scene 1943” in the Context of Decolonizing Knowledge about Ukraine

    Nataliya Torkut, Svitlana Deineka, Roman Lavrentii
    91-110
    DOI: https://doi.org/10.18778/2083-8530.31.07

  • Lost (in) Translations: How Ukrainian Shakespeareana Must Be Bigger Than We Think

    Daria Moskvitina, Bohdan Korneliuk
    113-139
    DOI: https://doi.org/10.18778/2083-8530.31.08

  • Modernising the Ukrainian Language through the Power of Translation: Ihor Kostetskyi’s Shakespeare’s Sonnets

    Lada Kolomiyets
    141-162
    DOI: https://doi.org/10.18778/2083-8530.31.09

  • “Love looks not with the eyes, but with the mind”: Reading Vladyslav Yerko’s Illustrations to Shakespearein Ukrainian

    Darya Lazarenko, Yurii Cherniak
    163-177
    DOI: https://doi.org/10.18778/2083-8530.31.10

  • The Precariousness of Human Existence in William Shakespeare’s Plays: A Ukrainian Perspective

    Olha Bandrovska, Nataliya Torkut
    181-200
    DOI: https://doi.org/10.18778/2083-8530.31.11

  • Macbeth in Wartime Ukraine

    Viktoriia Marinesko, Anastasiia Brynko
    201-210
    DOI: https://doi.org/10.18778/2083-8530.31.12

  • William Shakespeare’s Hamlet: A Novelty on the Ukrainian Puppet Stage

    Roman Lavrentii, Olesia Ostapiuk
    211-230
    DOI: https://doi.org/10.18778/2083-8530.31.13

  • Depicting Collective Support on the Theatrical Stage: The Case of We Are Hamlet

    Hanna Veselovska
    233-242
    DOI: https://doi.org/10.18778/2083-8530.31.14

  • Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)

    Sofiia Rosa-Lavrentii
    243-255
    DOI: https://doi.org/10.18778/2083-8530.31.15

  • The Hamlet Syndrome (dir. Niewiera & Rosołowski, 2022) – Drawing a Portrait of the Maidan Generation with Piotr Rosołowski

    Agnieszka Rasmus
    271-284
    DOI: https://doi.org/10.18778/2083-8530.31.17

  • Romeo and Juliet: From a Performance for Teenagers to an Innovative Dramatic Performance in the Time of War

    Yuliia Shchukina, Liudmyla Vaniuha
    285-300
    DOI: https://doi.org/10.18778/2083-8530.31.18

  • Shelter from the Storm: Two Recent Shakespeare Stagings by the Ivano-Frankivsk Drama Theatre

    Oksana Fedorkiv, David Livingstone
    303-314
    DOI: https://doi.org/10.18778/2083-8530.31.19

  • War-torn King Lear: Adaptation as Catharsis

    Gabriela Cheaptanaru
    315-328
    DOI: https://doi.org/10.18778/2083-8530.31.20

Other

  • Introduction: Shakespeare Shelter

    Nicoleta Cinpoeş, Imke Lichterfeld
    7-11
    DOI: https://doi.org/10.18778/2083-8530.31.01

  • Foreword: Shakespeare in Ukraine

    Irena R. Makaryk
    13-17
    DOI: https://doi.org/10.18778/2083-8530.31.02

  • “Hereafter, in a better world than this, I shall desire more love and knowledge of you”: Kelly Hunter on Art, Healing, Trauma and Working with Ukrainian Families. A Conversation with Darya Lazarenko and Imke Lichterfeld

    Darya Lazarenko, Imke Lichterfeld
    257-270
    DOI: https://doi.org/10.18778/2083-8530.31.16

  • “Ha*l*t is a play about a play that never happened.” Notes on HA*L*T

    Imke Lichterfeld
    331-332
    DOI: https://doi.org/10.18778/2083-8530.31.21

  • L_UKR_ECE at the Craiova International Shakespeare Festival, Romania, 2022

    Sorin Cazacu, Anna Kowalcze-Pawlik
    333-335
    DOI: https://doi.org/10.18778/2083-8530.31.22

  • Exploring Object Afterlives: Ophelia. Subject Study at the 28th Gdansk International Shakespeare Festival, 2024

    Anna Kowalcze-Pawlik
    337-340
    DOI: https://doi.org/10.18778/2083-8530.31.23

  • Working Title: A Collaboration Made in York

    Philip Parr
    341-344
    DOI: https://doi.org/10.18778/2083-8530.31.24

  • Theatre Studio of IDP’s Uzhik Production of King Lear, directed by Viacheslav Yehorov, staged at the Other Place, Stratford-upon-Avon, on 14 and 15 June 2024

    Cristie Carson
    345-349
    DOI: https://doi.org/10.18778/2083-8530.31.25

  • Afterword: IF Shakespeare UA. The First International Shakespeare Festival in Ivano-Frankivsk, Ukraine, 17–23 June 2024

    Nicoleta Cinpoeş, Anna Kowalcze-Pawlik
    351-360
    DOI: https://doi.org/10.18778/2083-8530.31.26

  • In Memoriam: Mark Sokolianskyi (1939–2025)

    Nataliya Torkut, Daria Moskvitina
    361-362
    DOI: https://doi.org/10.18778/2083-8530.31.27

  • Contributors

    Nicoleta Cinpoeş, Imke Lichterfeld
    363-371