Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)

Autor

DOI:

https://doi.org/10.18778/2083-8530.31.15

Słowa kluczowe:

inclusive theatre, Shakespeare and disability, Shakespeare and trauma, Shakespeare in Ukraine, theatre as a therapy, art-therapy practicing, integrative theatre, inclusiveness in the theatre

Abstrakt

This article focuses on the analysis of art-therapeutic, inclusive theatre projects in Ukraine that were based on Shakespeare’s plays and implemented from 2019 to 2023. The goal of these projects was deeply integrative: to draw public attention to people with disabilities, war veterans, and children whose parents were on the frontline. In addition, the aim of the theatre projects was to help these groups be heard, to provide them with the tools and a platform to tell their stories through archetypal, recognisable narrative patterns. The article explores the production of Twelfth Night, or What You Will based on Shakespeare’s comedy with veterans and volunteers of the Russian-Ukrainian war (‘Project W’), directed by Oleksii Hnatkovskyi, 2019; the inclusive project 12 Ophelia by the Kharkiv Arabesque Studio Theatre, 2019; and the production Monster Opera based on Shakespeare with children of the military, directed by Nigel Osborne, 2023.

Biogram autora

  • Sofiia Rosa-Lavrentii - Uniwersytet Lwowski

    Sofiia Rosa-Lavrentii is Associate Professor of the Theatre Studies and Acting Department at the Faculty of Culture and Arts of the Ivan Franko National University of Lviv and the Cultural Studies Department at the Ukrainian Catholic University (Lviv). She co-organised a summer theatre school during the Second Shakespeare Festival in Ivano-Frankivsk (Ukraine). Since 2023, she has been co-editing the academic theatre journal Proscenium. She is a member of the Association of Puppeteers of Ukraine: UNIMA Ukraine and heads its scientific and publishing commission.

Bibliografia

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Hnatkovskyi, Oleksii. “Veterans will perform Shakespeare in English. It Will Be a Challenge and Another Victory.” An Interview with O. Hnatkovskyi / Kateryna Konstantynova. Dzerkalo tyzhnia, 4 May 2019. https://zn.ua/ukr/ART/oleksiy-gnatkovskiy-veterani-ato-gratimut-shekspira-angliyskoyu-ce-bude-viklik-i-sche-odna-peremoga-307735_.html. Accessed 3 February 2026.

Kaplan, Ellen W., ed. Theatre Responds to Social Trauma: Chasing the Demons. New York and London: Routledge, 2024. https://doi.org/10.4324/9781003197034

Oleshko, Svitlana. “12 Ofelìj, Haj slovo pogodit’sâ z žestom, a žest zi slovom”. Episode 1. You Tube interview, 2020 [“Suit the Word to the Action, the Action to the Word.” Episode 1. You Tube interview, 2020] [Олешко, Світлана. “12 Офелій, Хай слово погодиться з жестом, а жест зі словом”. Episode 1. You Tube interview, 2020]. https://www.youtube.com/watch?v=QsjBZpQCH60&list=PLg0YcFxmUF9iDGg6hMQLhYF0I7MjSEVHL&index=12. Accessed 3 February 2026.

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Opublikowane

2025-12-30

Jak cytować

Rosa-Lavrentii, Sofiia. 2025. “Shakespeare, Trauma, and Social Change: Inclusive Ukrainian Theatre Projects (2019–2023)”. Multicultural Shakespeare: Translation, Appropriation and Performance 31 (46): 243-55. https://doi.org/10.18778/2083-8530.31.15.