Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth

Authors

DOI:

https://doi.org/10.18778/2083-8530.23.06

Keywords:

Jatra, Lady Macbeth, Vaishnavism, Shakespeare adaptations, Crossings by Vikram Iyenger

Abstract

This paper examines a transcultural dance-theatre focusing on Lady Macbeth, through the lens of eastern Indian Bengali folk-theatre tradition, jatra. The wide range of experimentation with Shakespeare notwithstanding, the idea of an all-female representation is often considered a travesty. Only a few such explorations have earned recognition in contemporary times. One such is the Indian theatre-dance production Crossings: Exploring the facets of Lady Macbeth by Vikram Iyenger, first performed in 2004. Four women representing four facets of Lady Macbeth explore the layered nuances that constitute her through the medium of Indian classical dance and music juxtaposed with Shakespearean dialogues from Macbeth. This paper will argue the possibilities posited by this transgressive re-reading of a major Shakespearean tragedy by concentrating on a possible understanding through a Hindu religious sect —Vaishnavism, as embodied through the medium of jatra. To form a radically new stage narrative in order to bring into focus the dilemma and claustrophobia of Lady Macbeth is perhaps the beginning of a new generation of Shakespeare explorations. Iyenger’s production not only dramatizes the tragedy of Lady Macbeth through folk dramatic tradition, dance and music, but also Indianises it with associations drawn from Indian mythological women like Putana (demoness) and Shakti (sacred feminine).

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Author Biography

Aabrita Dutta Gupta, Bankura University, Department of English, Bankura, West Bengal, India

Aabrita Dutta Gupta is a researcher on Shakespeare in the Indian academia as a Doctoral fellow from the Department of English, Bankura University, West Bengal, India. She completed her M.Phil degree on Shakespeare and the Renaissance from the Department of English and Culture Studies, Universty of Burdwan, West Bnegal, India. Her research interests include Shakespeare and the Renaissance and Shakespeare in the global arena. Her other interests lie in the study of world art and architecture. https://orcid.org/0000-0001-5808-3206

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Published

2021-06-30

How to Cite

Dutta Gupta, A. (2021). Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth. Multicultural Shakespeare: Translation, Appropriation and Performance, 23(38), 91–108. https://doi.org/10.18778/2083-8530.23.06

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