Tom 28 Nr 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes

Guest Editors: Šárka Havlíčková Kysová, Ivona Mišterova

Opublikowane: 2023-12-30

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Articles

Introduction: East-Central and Central-East Europe as an Imagined Space for Shakespeare

Šárka Havlíčková Kysová, Ivona Mišterová

15-22
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Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities

Kirilka Stavreva, Boika Sokolova, Natália Pikli, Jana Wild

23-44
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Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings

Zsolt Almási, Krystyna Kujawińska Courtney, Mădălina Nicolaescu, Klára Škrobánková, Ema Vyroubalova, Oana-Alis Zaharia

45-68
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Popular and Populist Shakespearean Transcreations in Central and Eastern Europe

Nicoleta Cinpoeş, Kornélia Deres, Jacek Fabiszak, Kinga Földváry, Veronika Schandl

69-88
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Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond

Anna Cetera-Włodarczyk, Šárka Havlíčková Kysová, Anna Kowalcze-Pawlik, Ivona Mišterová, Gabriella Reuss

89-108
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“You have served me well:" The Shakespeare Empire in Central Europe

Pavel Drábek

109-140
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"Henry V": A Report on the Condition of the World

Marta Gibińska

141-152
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“…noxiousness of my work:” Miroslav Macháček’s 1971 "Henry V" at the Normalized National Theatre

Martin Pšenička

153-176
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Dramaturgy of "Hamlet"(s) in Czech Theatre between 2000 and 2023

David Drozd

177-192
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Framing Polish-Jewish Relations Through Shakespeare in Post-war and Contemporary Polish Theatre

Tomasz Kowalski

193-207
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No Calm After the Storm. A Decade of "The Tempest" in Polish Theatres (2012–2021)

Agnieszka Romanowska

209-225
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Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II": Marlowe’s Controversial History on Czech Stages

Ivona Mišterová, Filip Krajník

227-243
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“This is one Lucianus, nephew to the king!:” Political Dynamics of Four Hungarian Translations of "Hamlet"

Zsolt Almási

245-263
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Other "Hamlet" in Puppet Theatre: A Contribution to Central European Theatre Diversity of the 1980s-1990s

Uroš Trefalt

265-275
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Other

Contributors

Šárka Havlíčková Kysová, Ivona Mišterová

7-14
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Remembering the Past, Creating the Present Address given at the Brno Theatralia Conference, 7 June 2023

Boika Sokolova

277-280
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Book Reviews

Monica Matei-Chesnoiu, Coen Heijes

281-291
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Theatre Reviews

Cynthia J. Cyrus

293-300
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Tom 28 Nr 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes

Pełny numer

Articles

Introduction: East-Central and Central-East Europe as an Imagined Space for Shakespeare

Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities

Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings

Popular and Populist Shakespearean Transcreations in Central and Eastern Europe

Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond

“You have served me well:" The Shakespeare Empire in Central Europe

"Henry V": A Report on the Condition of the World

“…noxiousness of my work:” Miroslav Macháček’s 1971 "Henry V" at the Normalized National Theatre

Dramaturgy of "Hamlet"(s) in Czech Theatre between 2000 and 2023

Framing Polish-Jewish Relations Through Shakespeare in Post-war and Contemporary Polish Theatre

No Calm After the Storm. A Decade of "The Tempest" in Polish Theatres (2012–2021)

Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II": Marlowe’s Controversial History on Czech Stages

“This is one Lucianus, nephew to the king!:” Political Dynamics of Four Hungarian Translations of "Hamlet"

Other "Hamlet" in Puppet Theatre: A Contribution to Central European Theatre Diversity of the 1980s-1990s

Other

Contributors

Remembering the Past, Creating the Present Address given at the Brno Theatralia Conference, 7 June 2023

Book Reviews

Theatre Reviews

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