Adaptations and Impressions: Belleforest’s Queen Gertrude and Shakepeare’s

Authors

DOI:

https://doi.org/10.18778/1505-9065.19.10

Keywords:

Belleforest, Shakespeare, Histoires tragiques, Hamlet, Historia Danica, Gertrude, tragedy, psychological rupture, conflict, reconciliation, conspiracy, adaptation

Abstract

This study traces the influence of François de Belleforest on William Shakespeare through the character of Gertrude (named « Geruthe » in Belleforest) in Hamlet. Basing his work on the original Danish legend of Saxo Grammaticus (Historia Danica), Belleforest in his Histoires tragiques gives voice to the character who is both mother of the protagonist (called « Amleth » in Belleforest) and queen of Denmark. In turn, Shakespeare elaborates and deepens the portrait of Gertrude. Inspired largely by Belleforest’s example, the Elizabethan playwright emphasizes the psychological rupture between Hamlet and his mother while underscoring the evolution of their relationship from one of conflict to reconciliation over the course of the tragedy. Belleforest’s representation of Geruthe also includes her ambiguous role in the numerous plots against Hamlet. These conspiracies are appropriated by Shakespeare to heighten the tension of the drama and to render Gertrude a tragic character herself.

Downloads

Download data is not yet available.

Author Biography

Russell Ganim, University of Iowa

Russell Ganim est professeur de français et Vice-Recteur et Doyen de Programmes Internationaux à l’Université de l’Iowa. Ses recherches se concentrent sur la poésie religieuse du seizième et du dix-septième siècles, ainsi que sur le rapport entre le texte et l’image durant la première modernité. Son travail actuel porte sur la représentation de l’époque pré-révolutionnaire en France dans les dessins animés japonais.

References

Belleforest François de, Le Cinquiesme tome des Histoires tragiques, éd. Hervé-Thomas Campagne, Genève, Droz, 2013
Google Scholar

De Grazia Margareta, “When Did Hamlet Become Modern?” Textual Practice, 2003, vol. 17, no 3, p. 485-503
Google Scholar

Erlich Avi, Hamlet’s Absent Father, Princeton NJ, Princeton University Press, 1977
Google Scholar

Goldberg Carl, “The Shame of Hamlet and Oedipus”, The Psychoanalytic Review, 1989, vol. 76, no 4, p. 581-603
Google Scholar

Gollancz Israel, The Sources of Hamlet, Londres, Oxford University Press, 1926
Google Scholar

Maxwell Julie, “Versions of Saxo: A New Source for Hamlet?”, Renaissance Quarterly, 2004, vol. 57, no 2, p. 518-560
Google Scholar

Racine Jean, Phèdre, éd. Jean Salles, Paris, Bordas, 1985
Google Scholar

Shakespeare William, Hamlet, Trans. François-Victor Hugo, URL: https://www.oeuvresouvertes.net/IMG/pdf/SHAKESPEARE_HAMLET.pdf, consulté le 05.01.2019
Google Scholar

Shakespeare William, The Tragedy of Hamlet, Prince of Denmark, éds. Barbara A. Mowat et Paul Werstine, Folger Shakespeare Library, New York, Simon & Shuster, 2012
Google Scholar

Stabler Arthur, “King Hamlet’s Ghost in Belleforest”, PMLA, 1962, vol. 77, no 1, p. 18-20
Google Scholar

Stabler Arthur, “Melancholy, Ambition, and Revenge in Belleforest’s Hamlet”, PMLA, 1966, vol. 81, no 3, p. 207-213
Google Scholar

Published

2024-07-20 — Updated on 2024-09-16

Versions

How to Cite

Ganim, R. (2024). Adaptations and Impressions: Belleforest’s Queen Gertrude and Shakepeare’s. Acta Universitatis Lodziensis. Folia Litteraria Romanica, (19), 143–153. https://doi.org/10.18778/1505-9065.19.10 (Original work published July 20, 2024)

Similar Articles

1 2 3 4 5 6 7 > >> 

You may also start an advanced similarity search for this article.