Podsłuchać tajemnicę poety… Ajschylos i reminiscencje ajschylejskie w twórczości Jana Kasprowicza
DOI:
https://doi.org/10.18778/1733-0319.19.09Słowa kluczowe:
Jan Kasprowicz, Aeschylus, translationAbstrakt
Jan Kasprowicz, lived in 1860–1926, whose fame and glory is nowadays in the shadow, in his time was considered one of the greatest and most important Polish poets and authors. He was a diligent translator, who made Polish public accustomed with a great number of pieces of worldwide literature. He made about eighty translations of different works which is a huge and rare number, especially when taking into account only one person who was at the same time an author of his genuine works, an academic scholar and a journalist. He was fascinated and inspired by Aeschylus from the time he was a schoolboy. And thus we may find many reminiscences of Aeschylus’ poetry in his genuine works. His fascination which lasted many years culminated with the translation of Aeschylus’ tragedies into Polish. As for Kasprowicz Aeschylus was ‘the king of the tragic playwrights and the most powerful worldwide author of the tragedies’.
Bibliografia
Anfam, D. (1999). Abstract Expressionism. London: Thames & Hudson.
Arnason, H.H. Mansfield, E.C. (2009). History of Modern Art. New York: Pearson.
Baziotes, W. (1947). ‘I cannot evolve any concrete theory’. Possibilities I, 1 (winter), 2.
Baziotes, W. (1949). ‘The Artist and his Mirror’. Right Angle 3 (June 1949), 3–4.
Bernstock, J. E. (1993). ‘Classical Mythology in Twentieth-century Art’. Artibus et Historiae vol. 14, 153–183.
Chipp, H. B. (1970). Theories of Modern Art. Berkeley: University of California Press.
Crain, S.D. (2004). William Baziotes’ Duality: Escaping the ordinary and finding the extraordinary. Thesis Master of Arts, Athens, Georgia.
Gibson, A. (1987). ‘The Rhetoric of Abstract Expressionism’ in M. Auping (ed.) Abstract Expressionism the Critical Developments. New York: Harry N. Abrams.
Gombrich, E. (1985). ‘Image and Word in Twentieth Century Art’. Word and Image vol.1, issue 3, 213–241.
Hadler, M. (1977). ‘William Baziotes: A Contemporary Poet-Painter’. Arts Magazine 51 (June), 102–110.
Hauptman, J. (2005). Beyond the Visible: The Art of Odilon Redon. New York: The Museum of Modern Art.
Heilbrunn Timeline of Art History [online] http://www.metmuseum.org/toah/works-of-art/1995.234/ [accessed 17/10/2016]
Jachec, N. (1993). ‘Myth and the Audience: The Individual, the Collective and the Problem of Mass Comunication by the Early 1950s’. American Abstract Expressionism. Critical Forum Series, Vol. I, Liverpool: Liverpool University Press-Tate Gallery Liverpool, 129–140.
Kagan, A. (1975). ‘Paul Klee’s Influence on American Painting New York School’. Arts Magazine 49 (June), 54–59.
Kempner Freed, E.- Sharp, E. (1957). The Magical Worlds of Redon, Klee, Baziotes. Houston, Texas: Contemporary Arts Museums.
Larson, B. (2005). The Dark Side of Nature. Science, Society and the Fantastic in the Work of Odilon Redon. Pennsylvania: Pennstate University Press.
Noce, V. (2011). Odilon Redon dans l’oeil de Darwin. Paris: RMN.
Polcari, S. (1991). Abstract Expressionism and the Modern Experience. Cambridge: Cambridge University Press.
Preble, M. (2004). William Baziotes. Paintings and Drawings 1934–1962. Milan: Skira.
Sandler, I. (1965). ‘Baziotes, Modern Mythologist’. Art News (February), 28–30, 65–66.
Sandler, I. (1970). Abstract Expressionism: The triumph of American painting. London: Pall Mall Press.
Sandler, I. (1978). The New York School. New York: Harper and Row.
Sandstrom, S. (1955). Le monde imaginaire d’Odilon Redon: étude iconologique. New York: Witterborn.
Shapiro, D.- Shapiro, C. (1990). Abstract Expressionism. A Critical Record. Cambridge: Cambridge University Press.
Siegel, K. (2011). Abstract Expressionism. London: Phaidon.
Spector, N. (ed.) (2014). Guggenheim Museum Collection A to Z. New York: Guggenheim Museum Publications.
Still, C. (1971). William Baziotes: Late Work 1946–1962. New York: Marlborough Gallery.
Tuchman, M. (1971). The New York School. London: Thames & Hudson.
Pobrania
Opublikowane
Numer
Dział
Licencja
Prawa autorskie (c) 2016 © Copyright by Authors, Łódź 2016; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2016
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.
Jak cytować
