Final stage of creative work – several notes about Kazimierz Przerwa-Tetmajer’s editing work on his own texts before they were given to print

Abstract

The article analyzes the manuscript of a short story, Rzeźbiarz Merten, written by Tetmajer, one of the most known Polish poets at the turn of the 19^th and 20^th century. The author of this article tries to examine Tetmajer’s writing process. The scholar tries to prove also that this handwriting of Rzeźbiarz Merten is actually an autograph.