White, lux and lumen in the poetry of Czesław Miłosz

Authors

DOI:

https://doi.org/10.18778/1505-9057.55.19

Keywords:

Czesław Miłosz, poetry, symbolism of color, white, light, lux, lumen

Abstract

The use of the colour white, as with other colours evoked by Czesław Miłosz, is not the result of conscious elaboration (technical, philosophical or mystical). Instead, it seems that the colours belong to another level of thought; they are not chosen, they choose us. However, and this is the object of my demonstration, white and its various nuances structure Miłosz’s work. This work, which has been called the “wonderful mess” due to the many antithetical and apparently disparate themes with which it overflows, has already been explored using several critical approaches and following various common threads. Here, my chosen common thread is the colour white.

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Author Biography

Magdalena Renouf, dr, Université Paris-IV, Université Paris Sorbonne

Magdalena Renouf – Enseignante chercheuse à l’université Sorbonne – Paris 4. Sa recherche est centrée sur la poésie polonaise contemporaine, le théâtre et les courants imaginaires. L’auteure de plusieurs articles publiés dans des revues polonaises, françaises, lituaniennes et croates ainsi que d’ouvrages sur Czesław Miłosz et des recueils de poésie.

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Published

2019-12-31

How to Cite

Renouf, M. (2019). White, lux and lumen in the poetry of Czesław Miłosz. Acta Universitatis Lodziensis. Folia Litteraria Polonica, 55(4), 409–425. https://doi.org/10.18778/1505-9057.55.19