Teorie pochodzenia Pulcinelli i jego związki z antykiem

Autor

  • Marta Sterna Uniwersytet Łódzki, Katedra Filologii Klasycznej, Katedra Italianistyki, ul. 171/173, 90-236 Łódź image/svg+xml

DOI:

https://doi.org/10.18778/1733-0319.18.09

Słowa kluczowe:

mask, Pulcinella, Neapolitan theatre, ancient theatre, Maccus

Abstrakt

A discussion on the origin of Pulcinella, the most important mask of Neapolitan Theatre, is the subject matter of the following article. At the beginning, I will present the characteristics of this figure including his symbolism. Then, I will discuss possible connections of Pulcinella with some dramatic forms of ancient theatre. At the same time, I will describe a review of study of this figure specifying the most important phases of this research. The conclusion of this article will consist of the summary of the results of carried out analysis.

Biogram autora

Marta Sterna - Uniwersytet Łódzki, Katedra Filologii Klasycznej, Katedra Italianistyki, ul. 171/173, 90-236 Łódź

Mgr Marta Sterna – She received her M.A. in Classical Philology from University of Łódź. A title of her M.A. thesis was “The antic roots of Pulcinella”. Student, a Ph.D. candidate (without employment) in Italian Philology Department at University of Łódź. Areas of research interest: Neapolitan theatre, theatre of Ancient Greece and Italy.

Pobrania

Opublikowane

2015-01-01

Jak cytować

Sterna, M. (2015). Teorie pochodzenia Pulcinelli i jego związki z antykiem. Collectanea Philologica, 18, 101–109. https://doi.org/10.18778/1733-0319.18.09

Numer

Tom 18 (2015)

Dział

Articles

Licencja

Creative Commons License

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.

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