The Hamlet Syndrome (dir. Niewiera & Rosołowski, 2022) – Drawing a Portrait of the Maidan Generation with Piotr Rosołowski

Autor

DOI:

https://doi.org/10.18778/2083-8530.31.17

Słowa kluczowe:

angielski

Abstrakt

Several months before Russia’s full-scale invasion of Ukraine in February 2022, two Polish filmmakers who specialize in documenting political, social and cultural transformations in Eastern Europe, Elwira Niewiera and Piotr Rosołowski, came up with the idea of combining the Hamlet figure with the then-emerging Ukrainian documentary theatre to draw a portrait of the Maidan generation born following the collapse of the Soviet Union. For this purpose, they cast five Ukrainians and a documentary theatre director, Roza Sarkisian, and asked them to rehearse an experimental version of Hamlet on a stage in Kyiv. The script of The Hamlet Syndrome documentary is based on stories the protagonists shared during and in between rehearsals. The article also features an interview with Piotr Rosołowski, co-director, co-scriptwriter and cinematographer of the film, in which he discusses the origins of the project, its challenges, development, reception, and the use of the Hamlet figure.

Biogram autora

  • Agnieszka Rasmus - Uniwersytet Łódzki

    Agnieszka Rasmus, PhD, is an Assistant Professor in the Institute of English Studies at the University of Lodz, Poland. Her research interests include adaptation, popular seriality and Shakespeare on screen. She is the author of Filming Shakespeare, from Metatheatre to Metacinema (Peter Lang, 2008), Hollywood Remakes of Iconic British Films: Class, Gender and Stardom (EUP, 2022), and co-editor with Magdalena Cieślak of a special issue of Multicultural Shakespeare “Diversity and Homogeneity: Shakespeare and the Politics of Nation, Class and Gender” (2015). Her articles appeared in edited collections as well as Multicultural Shakespeare, Journal of Adaptation in Film & Performance, LWU and Shakespeare Bulletin.

Bibliografia

The Hamlet Syndrome. Dir. Elwira Niewiera and Piotr Rosołowski. Poland, Germany, 2022.

Hoenselaars, Ton. “Afterword: Hamlet’s Infinite Space.” The Hamlet Zone: Reworking Hamlet for European Cultures. Ed. Ruth J. Owen. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012. 197–200.

Kott, Jan. Shakespeare Our Contemporary [trans. Boleslaw Taborski]. New York: Doubleday & Company, 1964.

Makaryk, Irena R. “Introduction: Theatre, War, Memory, and Culture.” Shakespeare and the Second World War: Memory, Culture, Identity. Ed. Irena R. Makaryk and Marissa McHugh. Toronto: University of Toronto Press, 2012. 3–21. https://doi.org/10.3138/9781442698376

Owen, Ruth J. “Introduction: The Hamlet Zone.” The Hamlet Zone: Reworking Hamlet for European Cultures. Ed. Ruth J. Owen. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012. 1–6.

Rasmus, Agnieszka. Personal interview with Piotr Rosołowski. 19–23 October, 2024.

Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006. https://doi.org/10.4324/9780203087633

Sokolova, Boika. “Between Religion and Ideology: Some Russian Hamlets of the Twentieth Century.” Shakespeare Survey 54 (2001): 140–151. https://doi.org/10.1017/CCOL0521803411.013

Opublikowane

2025-12-30

Jak cytować

Rasmus, Agnieszka. 2025. “The Hamlet Syndrome (dir. Niewiera & Rosołowski, 2022) – Drawing a Portrait of the Maidan Generation With Piotr Rosołowski”. Multicultural Shakespeare: Translation, Appropriation and Performance 31 (46): 271-84. https://doi.org/10.18778/2083-8530.31.17.