Vol. 13 No. 28 (2016)

Published: 2016-04-22

Articles

  • The Really Real, Authentic, Original Shakespeare

    Marcela Kostihova
    11-23
    DOI: https://doi.org/10.1515/mstap-2016-0002

  • Shakespeare and National Mythologizing in Czech Nineteenth Century Drama

    Martin Procházka
    25-33
    DOI: https://doi.org/10.1515/mstap-2016-0003

  • National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare

    Paul Innes
    35-50
    DOI: https://doi.org/10.1515/mstap-2016-0004

  • Economic Nationalism in Haughton’s „Englishmen for My Money” and Shakespeare’s „The Merchant of Venice”

    Jonathan Baldo
    51-67
    DOI: https://doi.org/10.1515/mstap-2016-0005

  • Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japan

    Daniel Gallimore
    69-85
    DOI: https://doi.org/10.1515/mstap-2016-0006

  • “All’s Well that Ends Welles”: Orson Welles and the “Voodoo” "Macbeth"

    Robert Sawyer
    87-103
    DOI: https://doi.org/10.1515/mstap-2016-0007

  • The Moor for the Malayali Masses: A Study of "Othello" in "Kathaprasangam"

    Sanju Thomas
    105-116
    DOI: https://doi.org/10.1515/mstap-2016-0008

  • Shakespeare, "Macbeth" and the Hindu Nationalism of Nineteenth-Century Bengal

    Abhishek Sarkar
    117-129
    DOI: https://doi.org/10.1515/mstap-2016-0009

Other

  • Introduction: Re-writing and Translating Shakespeare’s Originality in a Global Culture

    José Manuel González
    7-10
    DOI: https://doi.org/10.1515/mstap-2016-0001

  • Book Reviews

    Baisali Hui, Dhrubajyoti Sarkar
    131-139
    DOI: https://doi.org/10.1515/mstap-2016-0010

  • Theatre Reviews

    Agnieszka Rasmus, Xenia Georgopoulou
    141-148
    DOI: https://doi.org/10.1515/mstap-2016-0011