Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japan

Daniel Gallimore

doi:10.1515/mstap-2016-0006

Authors

Daniel Gallimore Kwansei Gakuin University

DOI:

https://doi.org/10.1515/mstap-2016-0006

Keywords:

Tsubouchi Shōyō, Ōba Kenji, rhetorical theory, the trial scene, Hamlet’s fourth soliloquy, evanescence, archaism

Abstract

In a recent study of Shakespeare translation in Japan, the translator and editor Ōba Kenji (14) expresses his preference for the early against the later translations of Tsubouchi Shōyō (1859-1935), a small group of basically experimental translations for stage performance published between the years 1906 and 1913; after 1913, Shōyō set about translating the rest of the plays, which he completed in 1927. Given Shōyō’s position as the pioneer of Shakespeare translation, not to mention a dominant figure in the history of modern Japanese literature, Ōba’s professional view offers insights into Shōyō’s development that invite detailed analysis and comparison with his rhetorical theories. This article attempts to identify what Shōyō may have meant by translating Shakespeare into elegant or “beautiful” Japanese with reference to excerpts from two of his translations from the 1900s.

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