Vol. 4 (2007)

Published: 2007-01-02

Articles

  • Shakespeare and Europe: History – Performance – Memory

    Lawrence Guntner
    11-15
    DOI: https://doi.org/10.18778/2083-8530.4.01

  • Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands

    Monika Śmiałkowska
    17-27
    DOI: https://doi.org/10.18778/2083-8530.4.02

  • Shakespeare at the Español... Shakespeare at the Español: Franco and the Construction of a "National" Culture

    Gregor Gregor
    29-36
    DOI: https://doi.org/10.18778/2083-8530.4.03

  • Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)

    Tina Krontiris
    37-49
    DOI: https://doi.org/10.18778/2083-8530.4.04

  • History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955

    Veronika Schandl
    51-58
    DOI: https://doi.org/10.18778/2083-8530.4.05

  • Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/84)

    Jacek Fabiszak
    59-65
    DOI: https://doi.org/10.18778/2083-8530.4.06

  • Richard III in Russian Theatre at the Twilight of the "Thaw"

    Mark Sokolyansky
    67-72
    DOI: https://doi.org/10.18778/2083-8530.4.07

  • "Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations

    Stuart Hampton-Reeves
    73-87
    DOI: https://doi.org/10.18778/2083-8530.4.08

  • Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measure

    Rayner Francesca
    89-98
    DOI: https://doi.org/10.18778/2083-8530.4.09

  • "Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlet

    Patricia Lennox
    91-108
    DOI: https://doi.org/10.18778/2083-8530.4.10

  • "That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticism

    Nancy Isenberg
    109-112
    DOI: https://doi.org/10.18778/2083-8530.4.11

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