"Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations

Authors

  • Stuart Hampton-Reeves

DOI:

https://doi.org/10.18778/2083-8530.4.08

References

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Deleuze, Gilles. "One Manifesto Less." The Deleuze Reader. Ed. Constantin Boundas. New York: Columbia UP, 1993. 204–22.

Escolme, Bridget. Talking to the Audience. London and New York: Routledge, 2005.

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Genosko, Gary. Deleuze and Guattari: Critical Assessments of Leading Philosophers. London and New York: Routledge, 2001.

Hampton-Reeves, Stuart and Carol Chillingworth Rutter. Shakespeare in Performance: The "Henry VI" Plays. Manchester: Manchester University Press, 2006.

Hodgdon, Barbara. "Making it New: Katie Mitchell. Refashions Shakespeare-History." Transforming Shakespeare: Contemporary Women’s Re-visions in Literature and Performance. Ed. Marianne Novy. London: Palgrave, 1999. 13–34.

Rackin, Phyllis. Stages of History: Shakespeare’s English Chronicles. New York: Cornell University Press, 1990.

Rackin, Phyllis and Jean Howard. Engendering a Nation: A Feminist Account of Shakespeare’s Histories. London and New York: Routledge, 1997.

Righter, Anne. Shakespeare and the Idea of the Play. London: Chatto and Windus, 1962.

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Yates, Frances. "English Actors in Paris." The Review of English Studies. 1.4 (Oct. 1925): 392–403.

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Published

2007-01-01

Issue

Section

Articles

How to Cite

Hampton-Reeves, Stuart. 2007. “‘Done Like a Frenchman’: Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations”. Multicultural Shakespeare: Translation, Appropriation and Performance 4 (January): 73-87. https://doi.org/10.18778/2083-8530.4.08.