EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence

Authors

  • Bryan Reynolds

DOI:

https://doi.org/10.18778/2083-8530.4.15

References

Fabiszak, Jacek. "Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989), Othello (1981/1984)." Multicultural Shakespeare 4 (2007): 59–65.

Gregor, Keith. "Shakespeare at the Español: Franco and the Construction of a ‘National’ Culture." Multicultural Shakespeare 4 (2007): 29–36.

Hampton-Reeves, Stuart. "‘Done Like a Frenchman’: Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations." Multicultural Shakespeare 4 (2007): 73–87.

Hedrick, Donald and Bryan Reynolds, eds. Shakespeare Without Class: Misappropriations of Cultural Capital. New York: Palgrave Macmillan, 2000.

Krontiris, Tina. "Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)." Multicultural Shakespeare 4 (2007): 37–49.

Lennox, Patricia. "‘Romanian’ Shakespeare on the New York Stage: Andrei Serban’s Hamlet." Multicultural Shakespeare 4 (2007): 99–108.

Rayner, Francesca. "Between Transgression and Institutionalisation: Teatro Comuna’s Measure for Measure." Multicultural Shakespeare 4 (2007): 89–98.

Reynolds, Bryan. Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England. Baltimore: Johns Hopkins University Press, 2002.

Reynolds, Bryan. Performing Transversally: Reimagining Shakespeare and the Critical Future. New York: Palgrave Macmillan, 2003.

Reynolds, Bryan. Railroad. Plays International. London: The Performing Arts Trust, Autumn 2006a.

Reynolds, Bryan. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. London: Palgrave Macmillan, 2006b.

Reynolds, Bryan and Ayanna Thompson. "Viewing Antitheatricality: or, Tamburlaine’s Post-Theater." Reynolds 2006b: 168–182.

Schandl, Veronika. "History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955." Multicultural Shakespeare 4 (2007): 51–58.

Śmiałkowska, Monika. "Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands." Multicultural Shakespeare 4 (2007): 17–27.

Sokolyansky, Mark. "Richard III in Russian Theatre at the Twilight of the ‘Thaw’." Multicultural Shakespeare 4 (2007): 67–72.

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Published

2007-01-01

Issue

Section

Other

How to Cite

Reynolds, Bryan. 2007. “EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence”. Multicultural Shakespeare: Translation, Appropriation and Performance 4 (January): 127-35. https://doi.org/10.18778/2083-8530.4.15.