Theatre Reviews

Authors

  • Xenia Georgopoulou University of Athens, Greece
  • Eleni Pilla
  • Urszula Kizelbach Department of Pragmatics of Communication and Foreign Languages, Adam Mickiewicz University in Poznań, Poland
  • Jacek Fabiszak Faculty of English, Adam Mickiewicz University in Poznań, Poland

DOI:

https://doi.org/10.1515/mstap-2015-0012

Abstract

Romeo and Juliet for Two. Dir. Kostas Gakis, Athina Moustaka, Konstantinos Bibis. 104 Theatre, Athens, Greece.

Lady Macbeth. Dir. Marios Mettis. Theatro Thentro, Nicosia, Cyprus

Hamlet. Dir. Jan Klata. Gdańsk Shakespeare Theatre, Gdańsk, Poland

The Taming of the Shrew [Poskromienie złośnicy]. Dir. Katarzyna Deszcz. Stefan Żeromski Theatre, Kielce, Poland

References

Braunmuller, A. R. Introduction. Macbeth. Ed. A. R. Braunmuller. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2005. 1-93.

Brooks, Cleanth. “‘The Naked Babe’ and the Cloak of Manliness”. The Well Wrought Urn. Ed. Cleanth Brooks. New York: Harcourt, Brace & World, 1947. 22-49.

Chamberlain, Stephanie. “Fantasizing Infanticide: Lady Macbeth and the Murdering Mother in Early Modern England”. College Literature 32.3 (Summer 2005): 72-91.

Knight, L. C. “How Many Children Hath Lady Macbeth”. Explorations. New York: George W. Stewart, 1947. 15-54.

Mettis, Marios (dir.). Lady Macbeth [adaptation of Shakespeare’s Macbeth]. Theatro Thentro, Nicosia, Cyprus. Perf. Niovi Charalambous (Lady Macbeth), Giorgos Anagiotos (Macbeth), and Christodoulos Martas (Compere). 28 Nov. 2013.

Mettis, Marios. Lady Macbeth [Programme]. 27 November-20 December 2013.

Rosenblum, Joseph. “Macbeth”. Companion to Shakespeare. Eds. William Baker and Kenneth Womack. Vol. 3. New York: Facts on File, Inc., 2012. 1229-1286.

Shakespeare, William. Macbeth. Ed. A. R. Braunmuller. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2005.

Burzyńska, Anna Róża. “Nieobecność. O Teatrze Jana Klaty” [Absence. On Jan Klata’s Theatre]. Rekonstrukcje. Teatr Polski we Wrocławiu 1946-2011. Eds J. Minałto, P. Rudzki, M. Sadocha. Wrocław: Teatr Polski we Wrocławiu, 2011. 380-391.

Gruszczyński, Piotr. “Dobranoc, Książę. Wywiad z Janem Klatą” [Good night, sweet prince. An Interview with Jan Klata]. Didaskalia 115-116 (2013): 6-10.

Kwaśniewska, Monika. “…Chociaż nie byłeś żołnierzem” […Although you were no soldier]. Didaskalia 115-116 (2013): 3-5.

Wąsiewicz, Mirella. “Myślę, że Hamlet jest Polakiem. Wywiad z Janem Klatą” [I think Hamlet is a Pole. An Interview with Jan Klata]. Gazeta Wyborcza—Trójmiasto 153 (02/07/2004): 10.

Cichocka, Lidia. 2014. “W Kielcach Szekspir górą” [In Kielce Shakespeare triumphs]. 20 November 2014. http://www.e-teatr.pl/pl/artykuly/181199.html

Gołębiowska, Agnieszka a. 2014. “Kielce: ‘Poskromienie Złośnicy’ wg Katarzyny Deszcz” [Kielce: The Taming of the Shrew according to Katarzyna Deszcz]. 20 November 2014. http://www.e-teatr.pl/pl/artykuly/181032.html?josso_assertion_id=5AB918F39CB4CD0F

Gołębiowska, Agnieszka b. 2014. “Sex and violence, czyli sklep mięsny z kobietami” [Sex and violence, or a butcher’s shop with women]. 20 November 2014. http://www.e-teatr.pl/pl/artykuly/181226.html

Sowiński, Krzysztof. 2014. “Odwieczna gra w krzesła” [Eternal game of who will supplant whom]. 20 November 2014. http://www.e-teatr.pl/pl/artykuly/181317.html

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Published

2015-06-26

Issue

Section

Other

How to Cite

Georgopoulou, Xenia, Eleni Pilla, Urszula Kizelbach, and Jacek Fabiszak. 2015. “Theatre Reviews”. Multicultural Shakespeare: Translation, Appropriation and Performance 12 (27): 147-65. https://doi.org/10.1515/mstap-2015-0012.

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