Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare(s)

As You Like It. Dir. Kenneth Branagh. BBC Films, 2006.
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Branagh, Kenneth. Much Ado About Nothing by William Shakespeare. Screenplay, Introduction, and Notes on the Making of the Movie. New York–London: W.W. Norton & Company, 1993.
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Branagh, Kenneth. Hamlet by William Shakespeare. Screenplay and Introduction. London: Chatto & Windus, 1996.
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Crowl, Samuel. “Flamboyant Realist: Kenneth Branagh”. The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge University Press, 2000. 222-238.
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Crowl, Samuel. Shakespeare and Film. A Norton Guide. New York–London: W.W. Norton & Company, 2008.
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Hamlet. Dir. Laurence Olivier. Two Cities Films, 1948.
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Hamlet. Dir. Kenneth Branagh. Castle Rock Entertainment, 1996.
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Hatchuel, Sarah. Shakespeare, from Stage to Screen. Cambridge: Cambridge University Press, 2004.
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Henry V. Dir. Laurence Olivier. Two Cities Films, 1944.
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Henry V. Dir. Kenneth Branagh. Renaissance Films, 1989.
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Kujawińska Courtney, Krystyna. “Ira Aldridge, Shakespeare, and Color-Conscious Performances in Nineteenth-Century Europe.” Colorblind Shakespeare: New Perspectives on Race and Performance. Ed. Ayanna Thompson. London and New York: Routledge, 2006. 103-122.
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In the Bleak Midwinter. Dir. Kenneth Branagh. Castle Rock Entertainment, 1995.
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Lehmann, Courtney. “Faux Show: Falling into History in Love’s Labour’s Lost.” Ed. Ayanna Thompson. Colorblind Shakespeare: New Perspectives on Race and Performance. London and New York: Routledge, 2006. 69-80.
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Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002.
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Love's Labour’s Lost. Dir. Kenneth Branagh. Pathé /Arts Council, 2000.
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The Magnificent Seven. Dir. John Sturges. Mirisch Company, 1960.
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Much Ado About Nothing. Dir. Kenneth Branagh. Renaissance Films, 1993.
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Othello. Dir. Stuart Burge. BHE Films, 1965.
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Pittman, L. Monique. Authorizing Shakespeare on Film and Television, New York: Peter Lang Publishing, 2011.
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Richard III. Dir. Laurence Olivier. London Film Productions, 1955.
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Thompson, Ayanna. Passing Strange. Shakespeare, Race, and Contemporary America. Oxford–New York: Oxford University Press, 2011.
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