The Leftovers Manifesto – About the Viability of Friedensreich Hundertwasser's Ideas

Autor/innen

DOI:

https://doi.org/10.18778/0208-6107.2024.06

Schlagworte:

Hundertwasser, Bethleem Association in Jaworzno, DIY aesthetics

Abstract

Friedensreich Hundertwasser’s architecture sparks controversy and stirs emotions. For tourists and residents, it is an attraction that elicits enthusiasm, while specialists often regard it as a curiosity. His aesthetic elements – kitsch, camp, bricolage, DIY, and ecology – appeal to contemporary users and motivate their creativity. An extraordinary example is a community of homeless people in Jaworzno (Poland), who revitalized an old, over-century-old building gifted by the city authorities and are renovating another in Hundertwasser's style. Their fascination with Hundertwasser stems not just from admiration for his buildings but from his ideas in numerous manifestos. A deeper reading of his texts and personal experience of his art allowed amateurs to identify with his pro-environmental and pro-social views, actualizing them in place-making activities. This community’s efforts reflect the vitality of Hundertwasser’s aesthetics and architectural theory, encouraging creativity and action as part of the broader DIY culture.

Literaturhinweise

Barak, N. (2022). Friedensreich Hundertwasser (1928–2000). Architectural Review, 18. Available online: www.architectural-review.com/essays/reputations/friedensreich-hundertwasser
Google Scholar

Broch, H. (1969). Notes on the Problem of Kitsch. In: Dorfles, G. (ed.), Kitsch. An Anthology of Bad Taste. London: Studio Vista.
Google Scholar

Danto, A. C. (1996), The Nation. July 29/August 5, p. 30–34.
Google Scholar DOI: https://doi.org/10.3151/coj1975.34.7_29

Finn, D. (2014). DIY urbanism: implications for cities. Journal of Urbanism, 7 (4), p. 381–398. http://dx.doi.org/10.1080/17549175.2014.891149
Google Scholar DOI: https://doi.org/10.1080/17549175.2014.891149

Francis, P. (2013), Apostolic Exhortation Evangelii Gaudium of The Holy Father Francis to The Bishops, Clergy, Consecrated Persons and the Lay Faithful on the Proclamation of the Gospel In Today’s World. Available online: https://www.vatican.va/content/francesco/en/apost_exhortations/documents/papa-francesco_esortazione-ap_20131124_evangelii-gaudium.html [accessed 30.11.2024].
Google Scholar

Fürst, A. Ch. (2002). Hundertwasser, 1928–2000: Catalogue Raisonné, vol. 2. Cologne: Taschen.
Google Scholar

Gralińska-Toborek, A. (2018), Art of serenity. Aestetic function of humor in Street Art. In: Blanché U. and Hoppe I. (eds.), Urban Art: Creating the Urban with Art. Proceedings of the International Conference at Humboldt-Universität zu Berlin. Lisbon: Urban Creativity, pp.73-80.
Google Scholar

Johnson, Ch. (2012). Bricoleur and Bricolage: From Metaphor to Universal Concept. Paragraph 35 (3), p. 355–372. https://doi.org/10.3366/para.2012.0064
Google Scholar DOI: https://doi.org/10.3366/para.2012.0064

Surmacz, M. (2024). Konkurs plastyczny „Tworzymy Nie/Prostą Historię” – Grand Prix dla Surmacz” 24 czerwca 2024. Available online: https://jaw.pl/artykul/konkurs-plastyczny-tworzymy-n1592767
Google Scholar

Kouvou, M. (2010). Child Art and Modernity, Conference Paper. Available online: https://www.researchgate.net/publication/238078313_Child_Art_and_Modernity
Google Scholar DOI: https://doi.org/10.1163/9781848880221_007

Kraftl, P. (2009). Living in an artwork: the extraordinary geographies of the Hundertwasser-Haus, Vienna. Cultural Geographies, 16, pp. 111–134. Kulka, T. (1996). Kitsch and Art. Pennsylvania: Penn State University Press.
Google Scholar DOI: https://doi.org/10.1177/1474474008097982

Kuznetsov, S. and Paulos, E. (2010). Rise of the Expert Amateur: DIY Projects, Communities, and Cultures’. In: Conference: Proceedings of the 6th Nordic Conference on Human-Computer Interaction 2010. Reykjavik, Iceland. https://dl.acm.org/doi/10.1145/1868914.1868950
Google Scholar DOI: https://doi.org/10.1145/1868914.1868950

Lévi-Strauss, C. (1966). The Savage Mind. Transl. by G. Weidenfeld and Nicolson Ltd. London: Weidenfeld and Nicolson.
Google Scholar

Louridas, Panagiotis. (1999). Design as bricolage: anthropology meets design thinking. Design Studies, 20(6,) pp. 517–535.
Google Scholar DOI: https://doi.org/10.1016/S0142-694X(98)00044-1

Manifest resztek (Manifesto degli avanzi), 2016, www.betlejem.org/en/manifest-resztek/
Google Scholar

Mars, R. (2024). The Latest 99% Invisible: Hundertwasser and His Fight Against the Godless Line, [podcast], Arch Daily. October 12. Available online: www.archdaily.com/556085/the-latest-99-invisible-hundertwasser-and-his-fight-against-the-godless-line [accessed 30.11.2024].
Google Scholar

Medhurst, A. (1997). Camp. In: Medhurst, A. and Munt, S. (eds.), Lesbian and gay studies: a critical introduction. London–Washington: Unkno, pp. 274–293.
Google Scholar

Moles, A. (1971). Le kitsch: l'art du bonheur. Paris: Mame.
Google Scholar

Pankenier Weld S. (2014). Voiceless Vanguard. The Infantilist Aesthetic of the Russian Avant-Garde, Evanston: Northwestern University Press. https://doi.org/10.2307/j.ctv43vs0d
Google Scholar DOI: https://doi.org/10.2307/j.ctv43vs0d

Pierce Van, I. (2017). Contemporary Debates: The Hundertwasser Art Centre with Wairau Maori Art Gallery. Back Story Journal of New Zealand Art Media & Design History, 2, p. 5–25. https://doi.org/10.24135/backstory.vi2.16
Google Scholar DOI: https://doi.org/10.24135/backstory.vi2.16

Restany, P. (2001). Hundertwasser: The Painter-king With the Five Skins. Vienna: Taschen.
Google Scholar

Riegel, H.-P. (2013). Beuys. Die Biografie. Berlin: Aufbau Verlag.
Google Scholar

Schmied, W. (2002), Hundertwasser, 1928–2000: Catalogue Raisonné. Vol. 1. Cologne: Taschen.
Google Scholar

Schmied, W. (2004). Letter by Wieland Schmied to Hundertwasser. Available online: www.hundertwasser.com/en/texts/brief_von_wieland_schmied_an_hundertwasser [accessed 30.11.2024].
Google Scholar

Schurian, W., (2004). The concept of children's creativity. In: Schurian, W. (ed.), Hundertwasser – Schöne Wege, Gedanken über Kunst und Leben. Munich: Langen Müller Verlag, pp. 305–306.
Google Scholar

Sontag, S. (1966). Notes on “Camp”. In: Sontag, S., Against Interpretation and Other Essays, Farrar–New York: Straus & Giroux, p. 275–292.
Google Scholar

Sprenger, F. (2015). Erfolgsgeschichte(n), Restaurator im Handwerk 2, p. 3.
Google Scholar

Tosza, M. and Zworski, P. (2021). Dzisiaj w Betlejem. Kraków: Esprit.
Google Scholar

Hundertwasser Art Centre, About Hundertwasser Art Centre, https://www.hundertwasserartcentre.co.nz/about/hundertwasser-art-centre/ [accessed 30.11.2024].
Google Scholar

Bricolage. Tate Art Terms. Available online: www.tate.org.uk/art/art-terms/b/bricolage [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1958). Mouldiness Manifesto Against Rationalism in Architecture. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1971). Forestation of the City. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1979). The Sacred Shit – The Shit Culture. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1981). The Cultural-Political Claim to Power (Reply to Wieland Schmied). Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1981). The Cultural-Political Claim to Power (Reply to Wieland Schmied). Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1981). Tree Tenants Are the Ambassadors of the Free Forests in the City. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1983). Peace Treaty with Nature1959 the Pintorarium. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1985). The Onion Tower. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1990). The Antipodal Timepiece. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Hundertwasser F. (1990). The Garden Gnome. Available online: https://hundertwasser.com [accessed 30.11.2024].
Google Scholar

Downloads

Veröffentlicht

2025-02-28

Zitationsvorschlag

Gralińska-Toborek, A. (2025). The Leftovers Manifesto – About the Viability of Friedensreich Hundertwasser’s Ideas. Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, 63–87. https://doi.org/10.18778/0208-6107.2024.06

Ausgabe

Rubrik

Articles