No. 7 (2014)

Published: 2014-01-01

Articles

  • The Myth of Paris in the Russian Literature of the 18th Century

    Вадим Колбасин
    9-17
    DOI: https://doi.org/10.18778/1427-9681.07.02

  • The Myth of Cupid and Psyche in the Poetry of Russian Freemasons: Ippolit Bogdanovich’s „Dushenka”

    Alina Orłowska
    19-26
    DOI: https://doi.org/10.18778/1427-9681.07.03

  • And Was There a Boy? (A Comment on Chapter Five of “Eugene Onegin”)

    Андрей Кунарев
    27-46
    DOI: https://doi.org/10.18778/1427-9681.07.04

  • ‘Verbal Art’ in the Historical Narrative: From Pushkin to Aleksei Tolstoy

    Наталья Вершинина
    47-56
    DOI: https://doi.org/10.18778/1427-9681.07.05

  • Mykola Markevych’s “Ukrainian Melodies”: Between Thomas Moore and Afanasy Fet

    Лариса Ляпина
    57-64
    DOI: https://doi.org/10.18778/1427-9681.07.06

  • Vsevolod Garshin’s Dialogue with History: Notes on Vasily Surikov’s "Boyarynya Morozova"

    Bożena Żejmo
    65-74
    DOI: https://doi.org/10.18778/1427-9681.07.07

  • Russian Classics on Screen: In Search of Artistic Meaning (Leskov’s Katerina Ismailova in Balayan’s Film Adaptation)

    Вера Ситникова
    75-83
    DOI: https://doi.org/10.18778/1427-9681.07.08

  • Belles-Lettres in the Space of Political Dispute

    Barbara Olaszek
    85-95
    DOI: https://doi.org/10.18778/1427-9681.07.09

  • Russian Literature of the Second Half of the 19th Century in Dialogue with the State

    Марина Уртминцева
    97-104
    DOI: https://doi.org/10.18778/1427-9681.07.10

  • Game and Ritual Practices in the Russian Literature of the 19th Century

    Наталья Коковина
    105-112
    DOI: https://doi.org/10.18778/1427-9681.07.11

  • Elegiac Traditions in the Poetry of Valeryan Borodayevsky

    Ирина Михайлова
    113-120
    DOI: https://doi.org/10.18778/1427-9681.07.12

  • Nikolai Gumilev in Dialogue with Innokenty Annensky (“Acteon” and “The Poisoned Tunic”)

    Галина Шелогурова
    121-131
    DOI: https://doi.org/10.18778/1427-9681.07.13

  • Dialogue of Cultures and Ideas in Ivan Rukavishnikov’s Prose

    Danuta Szymonik
    133-141
    DOI: https://doi.org/10.18778/1427-9681.07.14

  • Boris Pasternak, the Literary Tradition and Contemporaneity

    Zygmunt Zbyrowski
    143-152
    DOI: https://doi.org/10.18778/1427-9681.07.15

  • Motif of Death in Irina Odoyevtseva’s Prose

    Patryk Witczak
    153-162
    DOI: https://doi.org/10.18778/1427-9681.07.16

  • Viktor Astafyev’s Literary Discourse (Based on His Correspondence)

    Aldona Borkowska
    163-174
    DOI: https://doi.org/10.18778/1427-9681.07.17

  • Intelligentsia as the ‘Russian Soul’: Paradoxes and Problems of the Russian Occidentalism

    Marian Broda
    175-184
    DOI: https://doi.org/10.18778/1427-9681.07.18

  • Mikhail Saltykov-Shchedrin’s “The History of a Town” and “Mikhailu Yevgrafovichu” by Vyacheslav Pyetsukh: The Russian Mentality

    Анатолий Собенников
    185-191
    DOI: https://doi.org/10.18778/1427-9681.07.19

  • The Concept of ‘Freedom’ in Contemporary Russian Poetry

    Alexander Graf
    193-200
    DOI: https://doi.org/10.18778/1427-9681.07.20

  • Dialogue of Cultures in the Poetics of Veronika Dolina

    Ludmiła Mnich
    201-210
    DOI: https://doi.org/10.18778/1427-9681.07.21

  • Alexander Kushner in Dialogue with Alexander Pushkin

    Ewa Sadzińska
    211-219
    DOI: https://doi.org/10.18778/1427-9681.07.22

  • The Interpretations of Don Quixote in the Russian Poetry of 1960s–1970s

    Aleksandra Szymańska
    221-230
    DOI: https://doi.org/10.18778/1427-9681.07.23

  • Changes in the Sophic Function of Female Characters in 20th-Century Literary Works

    Tünde Szabó
    231-238
    DOI: https://doi.org/10.18778/1427-9681.07.24

  • Precedent Names as a Part of the Polish Text in Russian Poetry

    Кристина Воронцова
    239-248
    DOI: https://doi.org/10.18778/1427-9681.07.25

  • Chekhovian Motifs, Imagery and Techniques in the Works of Russian Writers of the Turn of the 21st Century

    Кира Гордович
    249-256
    DOI: https://doi.org/10.18778/1427-9681.07.26

  • Chekhov’s Drama Context in Tanya-Tanya by Olga Mukhina

    Maciej Pieczyński
    257-264
    DOI: https://doi.org/10.18778/1427-9681.07.27

  • The Epic and the Lyrical in Vadim Levanov’s Dramaturgy

    Татьяна Журчева
    265-276
    DOI: https://doi.org/10.18778/1427-9681.07.28

  • Forms of Expression of the Author’s Consciousness in Contemporary Russian Drama

    Ольга Журчева
    277-285
    DOI: https://doi.org/10.18778/1427-9681.07.29

  • A Dialogue with the Absurd: Remarks on Mikhail Volokhov’s Dramatic Works

    Lidia Mięsowska
    287-295
    DOI: https://doi.org/10.18778/1427-9681.07.30

  • Contemporary Russian Social Science Fiction: Olga Slavnikova’s 2017

    Andrzej Polak
    297-306
    DOI: https://doi.org/10.18778/1427-9681.07.31

Other

  • Od Redakcji

    Ewa Sadzińska, Aleksandra Szymańska
    7-7
    DOI: https://doi.org/10.18778/1427-9681.07.01

  • Международная научная конференция Русская литература XVIII–XXI вв. Диалог идей и эстетических концепций

    Ewa Sadzińska, Aleksandra Szymańska
    307-311
    DOI: https://doi.org/10.18778/1427-9681.07.32