No. 9 (2019): Roguery & (Sub)Versions

View No. 9 (2019): Roguery & (Sub)Versions

Edited by Aritha van Herk and Vanja Polić

Increase in the contribution of foreign reviewers in the assessment of articles submitted for publication in the yearly “Text Matters. A Journal of Literature, Theory and Culture” – financed under Agreement No. 605/P-DUN/2019 12.06.2019 with funds provided by the Ministry of Science and Higher Education for activities popularising science.

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Published: 2019-11-23

Full Issue

Articles

  • Of Grim Witches and Showy Lady-Devils: Wealthy Women in Literature and Film

    Veronika Schuchter
    50-65
    DOI: https://doi.org/10.18778/2083-2931.09.03

  • A Wild Roguery: Bruce Chatwin’s The Songlines Reconsidered

    Christine Nicholls
    22-49
    DOI: https://doi.org/10.18778/2083-2931.09.02

  • “You’ll never meet someone like me again”: Patty Jenkins’s Monster as Rogue Cinema

    Michelle D. Wise
    66-80
    DOI: https://doi.org/10.18778/2083-2931.09.04

  • The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s Scorpio Rising and Steven Spielberg’s Duel

    Kornelia Boczkowska
    81-99
    DOI: https://doi.org/10.18778/2083-2931.09.05

  • Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”

    Jason Blake
    100-117
    DOI: https://doi.org/10.18778/2083-2931.09.06

  • “Same Old Ed, . . . Uncommitted”: BMW Socialism and Post-Roguery in Guy Vanderhaeghe’s Early Fiction

    Jordan Bolay
    118-136
    DOI: https://doi.org/10.18778/2083-2931.09.07

  • Aussies, Rogues and Slackers: Simon Hanselmann’s Megg, Mogg and Owl Comics as Contemporary Instances of Rogue Literature

    Ronnie Scott
    137-152
    DOI: https://doi.org/10.18778/2083-2931.09.08

  • The Rogue as an Artist in Patrick deWitt’s The Sisters Brothers

    Hilde Staels
    153-166
    DOI: https://doi.org/10.18778/2083-2931.09.09

  • The Lynching and Rebirth of Ned Buntline: Rogue Authorship during the American Literary Renaissance

    Mark Metzler Sawin
    167-184
    DOI: https://doi.org/10.18778/2083-2931.09.10

  • Men Without Fingers, Men Without Toes

    Kit Dobson
    185-196
    DOI: https://doi.org/10.18778/2083-2931.09.11

  • “Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs

    Dorota Filipczak
    199-212
    DOI: https://doi.org/10.18778/2083-2931.09.12

  • Heresy and Orthodoxy Now: The Zigzagging Paths of the Lawful

    Marta Zając
    213-222
    DOI: https://doi.org/10.18778/2083-2931.09.13

  • Joe Brainard’s I Remember, Fragmentary Life Writing and the Resistance to Narrative and Identity

    Wojciech Drąg
    223-236
    DOI: https://doi.org/10.18778/2083-2931.09.14

  • “A right kind of rogue”: Lisa McInerney’s The Glorious Heresies (2015) and The Blood Miracles (2017)

    Katarzyna Ostalska
    237-258
    DOI: https://doi.org/10.18778/2083-2931.09.15

  • Three Layers of Metaphors in Ross Macdonald’s Black Money

    Lech Zdunkiewicz
    259-270
    DOI: https://doi.org/10.18778/2083-2931.09.16

  • Spaces of (Re)Connections: Performing Experiences of Disabling Gender Violence

    Nicole Fayard
    273-291
    DOI: https://doi.org/10.18778/2083-2931.09.17

  • On Unruly Text, or Text-Trickster: Leslie Marmon Silko’s Ceremony as Healing

    Monika Kocot
    292-315
    DOI: https://doi.org/10.18778/2083-2931.09.18

  • What Ever Happened to My Peace of Mind? Hag Horror as Narrative of Trauma

    Tomasz Fisiak
    316-327
    DOI: https://doi.org/10.18778/2083-2931.09.19

  • “But what a place / to put a piano”: Nostalgic Objects in Robert Minhinnick’s Diary of the Last Man

    Agata Handley
    331-344
    DOI: https://doi.org/10.18778/2083-2931.09.20

  • Liminal Space in J. G. Ballard’s Concrete Island

    Marcin Tereszewski
    345-355
    DOI: https://doi.org/10.18778/2083-2931.09.21

  • Don DeLillo’s White Noise: A Virilian Perspective

    Hossein Pirnajmuddin, Bahareh Bagherzadeh Samani
    356-373
    DOI: https://doi.org/10.18778/2083-2931.09.22

  • Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States

    Magdalena Szuster
    374-392
    DOI: https://doi.org/10.18778/2083-2931.09.23

Other

  • New Versions of Roguery

    Aritha van Herk, Vanja Polić
    9-21
    DOI: https://doi.org/10.18778/2083-2931.09.01

  • Poetry, Environment and the Possibility of Future. A Review of Sam Solnick’s Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry (Abingdon: Routledge, 2017)

    Wit Pietrzak
    395-402
    DOI: https://doi.org/10.18778/2083-2931.09.24

  • Review of White by Bret Easton Ellis

    Mark Tardi
    403-407
    DOI: https://doi.org/10.18778/2083-2931.09.25