Men Without Fingers, Men Without Toes

Authors

  • Kit Dobson Mount Royal University, Calgary

DOI:

https://doi.org/10.18778/2083-2931.09.11

Keywords:

Canadian literature, masculinity, violence, labour, alienation

Abstract

What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” digits and other body parts lost by the men who surrounded him in his youth—especially his grandfather—Dobson considers the costs of labour and poverty in rural environments. For him, the rogue is one who falls somehow outside of cultural, social, and political norms— the one who has decided to step outside of the establishment, outside of the corrupt élites and their highfalutin ways. To do so comes at a cost. Turning to the life of writer George Ryga and to the poetry and fiction of Patrick Lane, this essay examines the real, physical, material, and social costs of transgression across multiple works linked to rural environments in Alberta and British Columbia. The essay shows the ways in which very real forms of violence discipline the rogue, pushing the rogue back into submission or out of mind, back into the shadowy past from whence the rogue first came. Resisting nostalgia while evincing sympathy, this essay delves into what is at stake for one who would become a rogue.

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Author Biography

Kit Dobson, Mount Royal University, Calgary

Kit Dobson is Associate Professor at Mount Royal University in Calgary, Treaty 7 territory. He is most recently the author of Malled: Deciphering Shopping in Canada (Wolsak and Wynn, 2017). His other books are Transnational Canadas: Anglo-Canadian Literature and Globalization (Wilfrid Laurier UP, 2009); Transnationalism, Activism, Art (edited with Áine McGlynn; U of Toronto P, 2013); Producing Canadian Literature: Authors Speak on the Literary Marketplace (with Smaro Kamboureli; Wilfrid Laurier UP, 2013); and the edited book Please, No More Poetry: The Poetry of derek beaulieu (Wilfrid Laurier UP, 2013). He is one of the editors of two forthcoming collections of essays, Dissonant Methods: Undoing Discipline in the Humanities Classroom and All the Feels: Affect and Writing in Canada / Dans tous les sens: Affect et écriture au Canada, both from the University of Alberta Press. He is currently writing about the northern Alberta territories in which his family settled.

References

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Birney, Earle. “David.” 15 Canadian Poets x 3. Ed. Gary Geddes. Toronto: Oxford UP, 2001. 54–61. Print.

Carter, Adam. “‘How Struggle Roots Itself in Ritual’: A Marxist Reading of the Poetry of Patrick Lane.” Essays on Canadian Writing 55 (1995): 1–21. Print.

Hoffman, James. The Ecstasy of Resistance: A Biography of George Ryga. Toronto: ECW, 1995. Print.

Lane, Patrick. “For Earle Birney.” Patricklane.ca. Web. 19 Aug. 2016.

Lane, Patrick. Passing Into Storm. Vernon: Traumerei Communications, 1973. Print.

Lane, Patrick. Red Dog, Red Dog. Toronto: McClelland and Stewart, 2008. Print.

Lane, Patrick. Selected Poems: 1977–1997. Madeira Park: Harbour, 1997. Print.

Lane, Patrick. There Is a Season: A Memoir. Toronto: McClelland and Stewart, 2004. Print.

Lane, Patrick. “To the Outlaw.” Western Windows: A Comparative Anthology of Poetry in British Columbia. Ed. Patricia M. Ellis. Vancouver: CommCept, 1977. 209–13. Print.

McCarthy, Dermot. “The Poetry of Patrick Lane.” Essays on Canadian Writing 39 (1989): 51–89. Print.

Nichol, bp. “Selected Organs.” The Alphabet Game: A bpNichol Reader. Ed. Darren Wershler-Henry and Lori Emerson. Toronto: Coach, 2007. 226–35. Print.

Woodcock, George. Patrick Lane and His Works. Toronto: ECW, n.d. Print.

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Published

2019-12-30

How to Cite

Dobson, K. (2019). Men Without Fingers, Men Without Toes. Text Matters: A Journal of Literature, Theory and Culture, (9), 185-196. https://doi.org/10.18778/2083-2931.09.11