Liminal Space in J. G. Ballard’s "Concrete Island"

  • Marcin Tereszewski University of Wrocław
Keywords: Ballard, surrealism, psychogeography, spatiality


This article explores the way in which surrealist techniques and assumptions underpin spatial representations in Ballard’s Concrete Island. With much of Ballard’s fiction using spatiality as an ideologically charged instrument to articulate a critique that underpins postcapitalist culture, it seems important to focus on exactly the kind of spaces that he creates. This paper will investigate the means by which spatiality is conceptualized in Ballard’s fiction, with special emphasis on places situated on the borders between realism and fantasy. Ballard’s spaces, often positioned on the edgelands of cities or centers of civilization, can be aligned with the surrealist project as presented not only by the Situationalist International, but of psychogeographical discourse in general. What the various Ballardian spaces—motorways, airports, high-rises, deserts, shopping malls, suburbs—have in common is a sense of existing outside stable definitions or what, following Marc Augé, we would call non-places, which by their definition are disconnected from a globalized image society, thus generating a revolutionary idea of freedom. As these places exist outside the cognitive map we impose on our environment, they present a potentially liberating force that resonates in Ballard’s fiction.


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Author Biography

Marcin Tereszewski, University of Wrocław

Marcin Tereszewski is Assistant Professor at the University of Wrocław, Poland, where he specializes in modern British fiction and literary theory. He is the author of The Aesthetics of Failure: Inexpressibility in Samuel Beckett’s Fiction (Cambridge Scholars, 2013). His current research interests include an examination of psychogeographical aspects of dystopian fiction, particularly in relation to J. G. Ballard’s fiction and architecture.


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How to Cite
Tereszewski, M. (2019). Liminal Space in J. G. Ballard’s "Concrete Island". Text Matters: A Journal of Literature, Theory and Culture, (9), 345-355.