No. 13 (2023): Literary and Visual Extremities

View No. 13 (2023): Literary and Visual Extremities

Issue Editors: Małgorzata Myk, Mark Tardi

Published: 2023-11-27

Full Issue

Articles

  • Introduction

    Małgorzata Myk, Mark Tardi
    7-14
    DOI: https://doi.org/10.18778/2083-2931.13.01

  • Negotiating Interior Frontiers: Lara Haddad’s A Question of History (2015–16)

    Dorota Golańska
    17-35
    DOI: https://doi.org/10.18778/2083-2931.13.02

  • Duration of the Archive: Soundscapes of Extreme Witnessing in Divya Victor’s Curb

    Małgorzata Myk
    36-57
    DOI: https://doi.org/10.18778/2083-2931.13.03

  • The Posthuman Body as an EcoGothic Wasteland in Allison Cobb’s After We All Died and Adam Dickinson’s Anatomic

    Paulina Ambroży
    61-91
    DOI: https://doi.org/10.18778/2083-2931.13.04

  • Radical Ecopoetics: The Apocalyptic Vision of Jorie Graham’s Sea Change

    Gi Taek Ryoo
    92-108
    DOI: https://doi.org/10.18778/2083-2931.13.05

  • Clark Coolidge’s The Land of All Time: An Affectively Restless Ecopoem

    Elina Siltanen, João Paulo Guimarães
    109-124
    DOI: https://doi.org/10.18778/2083-2931.13.06

  • Delimit / De-limit: Barbara Guest at Kandinsky’s Window

    Hal Coase
    127-142
    DOI: https://doi.org/10.18778/2083-2931.13.07

  • “What I lack is myself”: The Fluid Text and the Dialogic Subjectivity in Susan Howe’s Debths

    Jacek Partyka
    143-157
    DOI: https://doi.org/10.18778/2083-2931.13.08

  • Plasticity and the Poetics of Inside-Out Inversion in Emmett Williams and Roman Stańczak

    Tomasz Sawczuk
    161-178
    DOI: https://doi.org/10.18778/2083-2931.13.09

  • HTML Texts and the Dawn of Asemic Digital Literature: Exploring Dennis Cooper’s Ideas

    Cameron Barrows
    179-192
    DOI: https://doi.org/10.18778/2083-2931.13.10

  • The Extremities of Literature: Traumatic Memory in Two Novels by Kazuo Ishiguro

    Paola Trimarco
    195-209
    DOI: https://doi.org/10.18778/2083-2931.13.11

  • “How Do You Know Who You Are?”: Marjorie Prime on Envisioning Humanity Through the Faculty of AI-Powered Memory as Reconstructive Tissue

    Anna Bendrat
    210-228
    DOI: https://doi.org/10.18778/2083-2931.13.12

  • Cosmic Hunt, Copper Electroplating, Chaosmic Transduction: Chaosmotechnics of Molecular Collaboration in Matthew Barney’s Redoubt Project (2016–21)

    Radek Przedpełski
    231-256
    DOI: https://doi.org/10.18778/2083-2931.13.13

  • Practices of Planetary Relationality in Colum McCann’s Apeirogon

    Marta Goszczyńska
    257-274
    DOI: https://doi.org/10.18778/2083-2931.13.14

  • Waves of Pixels and Word-generated Algorithms: Drone Poetry as a Collaborative Practice between Machine and Human in Waveform by Richard A. Carter

    Katarzyna Ostalska
    275-297
    DOI: https://doi.org/10.18778/2083-2931.13.15

  • “English with a Polish Accent and a Slight Touch of Irish”: Multilingualism in Polish Migrant Theatre

    Karolina Prykowska-Michalak, Izabela Grabarczyk
    298-316
    DOI: https://doi.org/10.18778/2083-2931.13.16

  • Artist Collaboration and Unity in Times of Crisis: The Spirals Project

    Noèlia Díaz Vicedo, Hari Marini
    317-339
    DOI: https://doi.org/10.18778/2083-2931.13.17

  • Grievable Lives during the COVID-19 Pandemic: US-American Television, Melodrama and the Work of Mourning

    Nelly Strehlau
    343-360
    DOI: https://doi.org/10.18778/2083-2931.13.18

  • “The particulars of loss”: Grief Memoirs and Their Pragmatic Applications

    Katarzyna A. Małecka
    361-375
    DOI: https://doi.org/10.18778/2083-2931.13.19

  • Dialogic, but Monologic: Toxic Masculinity Meets #MeToo in Teddy Wayne’s Campus Novel Loner

    Ewa Kowal
    376-395
    DOI: https://doi.org/10.18778/2083-2931.13.20

  • Erasing “Knowable Communities”: From Saturday Night and Sunday Morning to Brassed Off

    Artur Piskorz
    396-413
    DOI: https://doi.org/10.18778/2083-2931.13.21

  • Envisioning the Ecological Future: Three Perspectives off the Beaten Track

    Christian Arnsperger, Agnieszka Soltysik Monnet
    417-441
    DOI: https://doi.org/10.18778/2083-2931.13.22

  • Harry Styles as a Cecaelia: Sexuality, Representation and Media-lore in “Music for a Sushi Restaurant”

    Liz Giuffre, Philip Hayward
    442-461
    DOI: https://doi.org/10.18778/2083-2931.13.23

  • Abjection of the Other in Richard Matheson’s I Am Legend: The Subject’s Deterrence Strategy for Becoming the Abject

    Hossein Mohseni
    462-481
    DOI: https://doi.org/10.18778/2083-2931.13.24

  • Periodicals and Nation-Building: The Public Sphere, Modernity, and Modernism in Modern Review and Visva Bharati Quarterly

    Akansha Singh
    482-501
    DOI: https://doi.org/10.18778/2083-2931.13.25

Other