No. 12 (2022): The Ecological Future

View No. 12 (2022): The Ecological Future

Guest Editors: Agnieszka Soltysik Monnet, Christian Arnsperger

Published: 2022-11-24

Full Issue

Articles

  • Introduction

    Agnieszka Soltysik Monnet; Christian Arnsperger
    7-31
    DOI: https://doi.org/10.18778/2083-2931.12.01

  • “Stories of Making and Unmaking”: Deep Time and the Anthropocene in New Nature Writing

    Amy Player
    35-50
    DOI: https://doi.org/10.18778/2083-2931.12.02

  • Comics in the Anthropocene: Graphic Narratives of Apocalypse, Regeneration and Warning

    Małgorzata Olsza
    51-68
    DOI: https://doi.org/10.18778/2083-2931.12.03

  • Winter’s Tales

    John Michael Greer
    69-80
    DOI: https://doi.org/10.18778/2083-2931.12.04

  • “Looking to the Past to Reinvent the Future”: Writing About the Long Descent, Practicing Green Wizardry. A Conversation with John Michael Greer

    Christian Arnsperger, Agnieszka Soltysik Monnet, John Michael Greer
    81-96
    DOI: https://doi.org/10.18778/2083-2931.12.05

  • How Deep Time Can Help Shape the Present: Existential Economics, “Joyful Insignificance” and the Future of the Ecological Transition

    Christian Arnsperger
    97-115
    DOI: https://doi.org/10.18778/2083-2931.12.06

  • Robustness and Vulnerability: Caring for the Earth in an Age of Loss

    William deBuys
    116-125
    DOI: https://doi.org/10.18778/2083-2931.12.07

  • “The Paradise of How It Has to Be”: Writing About the Future of the Earth in a Time of Decline. A Conversation with William deBuys

    Christian Arnsperger, Agnieszka Soltysik Monnet, William deBuys
    126-139
    DOI: https://doi.org/10.18778/2083-2931.12.08

  • Firing up the Anthropocene: Conflagration, Representation and Temporality in Modern Australia

    Philip Hayward
    143-156
    DOI: https://doi.org/10.18778/2083-2931.12.09

  • Prophesying the End of Human Time: Eco-Anxiety and Regress in J. G. Ballard’s Short Fiction

    Dominika Oramus
    157-171
    DOI: https://doi.org/10.18778/2083-2931.12.10

  • The Nature of Irrevocability: Anthropocene Nostalgia in Hayley Eichenbaum’s Photography Series The Mother Road

    Alicja Relidzyńska
    172-191
    DOI: https://doi.org/10.18778/2083-2931.12.11

  • Environmental Neocolonialism and the Quest for Social Justice in Imbolo Mbue’s How Beautiful We Were

    Brygida Gasztold
    195-210
    DOI: https://doi.org/10.18778/2083-2931.12.12

  • Apocalypse When? Storytelling and Spiralic Time in Cherie Dimaline’s The Marrow Thieves and Louise Erdrich’s Future Home of the Living God

    Emily Childers, Hannah Menendez
    211-226
    DOI: https://doi.org/10.18778/2083-2931.12.13

  • Márkomeannu#2118, the Future is Already Here: Imagining a Sámi Future at the Intersection of Art and Activism

    Erika De Vivo
    227-246
    DOI: https://doi.org/10.18778/2083-2931.12.14

  • “The Only Way Out Is In”: Transcending Modernity and Embracing Interconnectedness in Gary Snyder and Kenneth White

    Monika Kocot
    249-268
    DOI: https://doi.org/10.18778/2083-2931.12.15

  • Past Conditional Subjectivities: Enacting Relationships with the Non-Human in the Work of Ana Mendieta

    Matthew Harrison Tedford
    269-284
    DOI: https://doi.org/10.18778/2083-2931.12.16

  • “Enlightenment Is a Shared Enterprise”: Tree Ecosystems and the Legacy of Modernity in Richard Powers’s The Overstory

    Katarzyna Ostalska
    285-303
    DOI: https://doi.org/10.18778/2083-2931.12.17

  • Apocalypse . . . Eventually: Trans-Corporeality and Slow Horror in M. R. Carey’s The Girl with All the Gifts

    Courtney A. Druzak
    304-318
    DOI: https://doi.org/10.18778/2083-2931.12.18

  • Ecotopia. Based on Ernest Callenbach’s Ecotopia. Adapted by Elizabeth Watson

    Elizabeth Watson
    321-334
    DOI: https://doi.org/10.18778/2083-2931.12.19

  • “Did You See Last Night’s Episode of Ecotopia?”: How a TV Series Could Help Move Climate Action Forward. A Conversation with Elizabeth Watson

    Agnieszka Soltysik Monnet, Christian Arnsperger, Elizabeth Watson
    335-344
    DOI: https://doi.org/10.18778/2083-2931.12.20

  • Appositions: The Future in Solarpunk and Post-Apocalyptic Fiction

    Katarzyna Więckowska
    345-359
    DOI: https://doi.org/10.18778/2083-2931.12.21

  • Affective Realities and Conceptual Contradictions of Patricia Piccinini’s Art: Ecofeminist and Disability Studies Perspectives

    Edyta Lorek-Jezińska
    363-379
    DOI: https://doi.org/10.18778/2083-2931.12.22

  • Sympoiesis, Autopoiesis and Immunity: How to Coexist with Nonhuman Others?

    Audronė Žukauskaitė
    380-396
    DOI: https://doi.org/10.18778/2083-2931.12.23

  • Echoes of Rituals of Initiation and Blood Sacrifice in Heart of Darkness by Joseph Conrad

    Andrzej Wicher
    397-419
    DOI: https://doi.org/10.18778/2083-2931.12.24

  • Narrating Wonder in Mark Anthony Jarman’s Stories

    Jason Blake
    420-434
    DOI: https://doi.org/10.18778/2083-2931.12.25

  • The Butterfly Effect: Creating and Recreating the Story of Madame Butterfly, on Paper and on Stage

    Magdalena Szuster
    435-451
    DOI: https://doi.org/10.18778/2083-2931.12.26

  • Museum Project: 14 Henrietta St. Museum, Paula Meehan, Dragana Jurišić and the Irish Housing Crisis

    Joanna Kruczkowska
    452-469
    DOI: https://doi.org/10.18778/2083-2931.12.27

  • Monet at a Glance: A Dynamic, Ekphrastic Encounter in Michèle Roberts’s “On the Beach at Trouville”

    Marta Goszczyńska
    470-486
    DOI: https://doi.org/10.18778/2083-2931.12.28

  • Nec Tecum Nec Sine Te: The Inseparability of Word and Image in Virginia Woolf

    Małgorzata Hołda
    487-507
    DOI: https://doi.org/10.18778/2083-2931.12.29

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