A Review of Variable Objects: Shakespeare and Speculative Appropriation, edited by Valerie M. Fazel and Louise Geddes (Edinburgh UP, 2021)

Authors

DOI:

https://doi.org/10.18778/2083-2931.12.30

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Author Biography

Magdalena Cieślak, University of Lodz

Magdalena Cieślak is Associate Professor in the Department of English Studies in Drama, Theatre and Film at the Institute of English Studies at the University of Lodz, Poland. She specializes in Renaissance drama, especially Shakespeare, and the relationships between literature and contemporary popular media in the context of cultural studies. She works in the areas of cultural materialism, feminism, gender studies, queer theory and posthumanism, and researches the intersections of literature and media in those theoretical contexts. She is the author of Screening Gender in Shakespeare’s Comedies (Rowman & Littlefield, 2019).

References

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Duke UP, 2010. https://doi.org/10.1215/9780822391623
Google Scholar DOI: https://doi.org/10.2307/j.ctv111jh6w

Fazel, Valerie M., and Louise Geddes. The Shakespeare User: Critical and Creative Appropriations in a Networked Culture. Palgrave Macmillan, 2017. https://doi.org/10.1007/978-3-319-61015-3_1
Google Scholar DOI: https://doi.org/10.1007/978-3-319-61015-3_1

Fazel, Valerie M., and Louise Geddes, editors. Variable Objects: Shakespeare and Speculative Appropriation. Edinburgh UP, 2021. https://doi.org/10.1515/9781474481410
Google Scholar DOI: https://doi.org/10.1515/9781474481410

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Published

2022-11-24

How to Cite

Cieślak, M. (2022). A Review of Variable Objects: Shakespeare and Speculative Appropriation, edited by Valerie M. Fazel and Louise Geddes (Edinburgh UP, 2021). Text Matters: A Journal of Literature, Theory and Culture, (12), 511–515. https://doi.org/10.18778/2083-2931.12.30