No. 7 (2017): Drama, Performance, Media / Emma & Edvard

View No. 7 (2017): Drama, Performance, Media / Emma & Edvard

Edited by Andrzej Wicher and Rachel E. Burke

Published: 2017-10-16

Full Issue

Articles

  • “I Made This Munch”: Mieke Bal Talks to Dorota Filipczak about the Exhibition Emma & Edvard: Love in the Time of Loneliness, opened in Munchmuseet, Oslo (27 Jan. 2017)

    Dorota Filipczak
    11-24
    DOI: https://doi.org/10.1515/texmat-2017-0001

  • Sensing the Present: “Conceptual Art of the Senses”

    Mieke Bal, Rachel E. Burke
    27-54
    DOI: https://doi.org/10.1515/texmat-2017-0002

  • Flaubert’s Provocation

    Jonathan Culler
    55-70
    DOI: https://doi.org/10.1515/texmat-2017-0003

  • Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life

    Kristin Gjesdal
    71-86
    DOI: https://doi.org/10.1515/texmat-2017-0004

  • Attention for Distraction: Modernity, Modernism and Perception

    Ernst van Alphen
    87-97
    DOI: https://doi.org/10.1515/texmat-2017-0005

  • Timespace for Emotions: Anachronism in Flaubert, Bal/Williams Gamaker, Munch and Knausgård

    Miguel Ángel Hernández Navarro
    98-113
    DOI: https://doi.org/10.1515/texmat-2017-0006

  • Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch

    Griselda Pollock
    114-144
    DOI: https://doi.org/10.1515/texmat-2017-0007

  • Responding to Modern Sensibilities: Emma and Edvard Entangled

    Patricia G. Berman
    145-158
    DOI: https://doi.org/10.1515/texmat-2017-0008

  • Authority in Crisis? The Dynamic of the Relationship Between Prospero and Miranda in Appropriations of The Tempest

    Magdalena Cieślak
    161-182
    DOI: https://doi.org/10.1515/texmat-2017-0009

  • The Cultural Role and Political Implications of Poland’s 1947 Shakespeare Festival

    Krystyna Kujawińska Courtney
    183-193
    DOI: https://doi.org/10.1515/texmat-2017-0010

  • Shakespeare and the Demonization of Fairies

    Piotr Spyra
    194-213
    DOI: https://doi.org/10.1515/texmat-2017-0011

  • Wawel Meets Elsinore. The National and Universal Aspects of Stanisław Wyspiański’s Vision of Shakespeare’s Hamlet

    Andrzej Wicher
    214-238
    DOI: https://doi.org/10.1515/texmat-2017-0012

  • “Consider Yourself One of Us”: The Dickens Musical on Stage and Screen

    Anthony Barker
    241-257
    DOI: https://doi.org/10.1515/texmat-2017-0013

  • The Paramount Role of Translation in Modern Opera Productions

    Aleksandra Ożarowska
    258-272
    DOI: https://doi.org/10.1515/texmat-2017-0014

  • Drama is for Life! Recreational Drama Activities for the Elderly in the UK

    Persephone Sextou, Cory Smith
    273-290
    DOI: https://doi.org/10.1515/texmat-2017-0015

  • Theatre as Contagion: Making Sense of Communication in Performative Arts

    Małgorzata Sugiera
    291-304
    DOI: https://doi.org/10.1515/texmat-2017-0016

  • “Being Human”: Edward Bond’s Theories of Drama

    David Allen, Agata Handley
    307-329
    DOI: https://doi.org/10.1515/texmat-2017-0017

  • Caryl Churchill’s Artificial and Orificial Bodies: Between Subjective and Non-Subjective Nobody’s Emotion or Affect

    Ewa Kębłowska-Ławniczak
    330-352
    DOI: https://doi.org/10.1515/texmat-2017-0018

  • Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama

    Edyta Lorek-Jezińska
    353-367
    DOI: https://doi.org/10.1515/texmat-2017-0019

  • Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare”

    Paulina Mirowska
    368-385
    DOI: https://doi.org/10.1515/texmat-2017-0020

  • Pinteresque Dialogue

    Jadwiga Uchman
    386-401
    DOI: https://doi.org/10.1515/texmat-2017-0021

  • Éowyn and the Biblical Tradition of a Warrior Woman

    Dorota Filipczak
    405-415
    DOI: https://doi.org/10.1515/texmat-2017-0022

  • Literature That Saves: Matilda as a Reader of Great Expectations in Mister Pip by Lloyd Jones

    Rafał Łyczkowski
    416-427
    DOI: https://doi.org/10.1515/texmat-2017-0023