Comics in the Anthropocene: Graphic Narratives of Apocalypse, Regeneration and Warning

Authors

DOI:

https://doi.org/10.18778/2083-2931.12.03

Keywords:

comics, graphic novels, Anthropocene, temporality, apocalypse

Abstract

Narratives of the Anthropocene function in the realm of not only scientific but also popular discourses. Indeed, the most popular narratives of the Anthropocene, namely the story of the apocalypse and the story of progress, with their respective temporalities, are particularly well-represented in comics. The present article looks at the Anthropocene through the lenses of word and image, tracing the response of the medium of comics to the ongoing catastrophe, including Joe Sacco’s Paying the Land (2020), Scott Snyder and Yanick Paquette’s modern take on Swamp Thing (2019) and Richard McGuire’s Here (2014). Paying the Land is a story of the Dene people and their response to the Anthropocene. Drawing on the opposition between nature and progress, it examines whether empathy can stop capitalistic exploitation of Indigenous communities and the land which they cherish. Swamp Thing, seemingly a narrative of environmental apocalypse, also functions as a story of ecological reconciliation and regeneration. Finally, Here builds on and deconstructs the narrative of progress, demonstrating how a specific location has and will be transformed from 3,000,500,000 BCE to 22,175 CE, offering the reader/viewer a non-chronological look at environmental changes. Apart from the visions of the now and the future that these graphic narratives present, temporality coded in their “grammar” (layout, panels and gutters) is also discussed.

Downloads

Download data is not yet available.

Author Biography

  • Małgorzata Olsza, Adam Mickiewicz University in Poznań

    Małgorzata Olsza (PhD) is Assistant Professor at the Department of American Literature at Adam Mickiewicz University in Poznań. Her research interests include American graphic novels and comics, contemporary American art, and visual culture. She has published on different aspects of American comics in Image [&] Narrative, Polish Journal for American Studies, Art Inquiry: Recherches Sur Les Arts, and ImageTexT: Interdisciplinary Comics Studies. She is also a contributor to the edited collection Comic Art and Feminism in the Baltic Sea Region (Routledge, 2021).

References

Bakhtin, Mikhail. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination, translated by Caryl Emerson and Michael Holquist, U of Texas P, 1981, pp. 84–258.

Chakrabarty, Dipesh. “Anthropocene Time.” History and Theory, vol. 57, no. 1, 2018, pp. 5–32. https://doi.org/10.1111/hith.12044 DOI: https://doi.org/10.1111/hith.12044

Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Belknap P of Harvard UP, 2016. https://doi.org/10.4159/9780674495647 DOI: https://doi.org/10.4159/9780674495647

Chute, Hillary, and Marianne DeKoven. “Introduction: Graphic Narrative.” MFS Modern Fiction Studies, vol. 52, no. 4, 2006, pp. 767–82. https://doi.org/10.1353/mfs.2007.0002 DOI: https://doi.org/10.1353/mfs.2007.0002

Clark, Timothy. Ecocriticism on the Edge: The Anthropocene as a Threshold Concept. Bloomsbury Academic, 2015.

De Cristofaro, Diletta. The Contemporary Post-Apocalyptic Novel: Critical Temporalities and the End Times. Bloomsbury, 2020. https://doi.org/10.5040/9781350085800 DOI: https://doi.org/10.5040/9781350085800

Dong, Lan. “Inside and Outside the Frame: Joe Sacco’s Safe Area Goražde.” The Comics of Joe Sacco: Journalism in a Visual World, edited by Daniel Worden, UP of Mississippi, 2015, pp. 39–53. https://doi.org/10.14325/mississippi/9781496802217.003.0003 DOI: https://doi.org/10.2307/j.ctt15zc587.6

Earle, Harriet. Comics, Trauma, and the New Art of War. UP of Mississippi, 2017. https://doi.org/10.14325/mississippi/9781496812469.001.0001 DOI: https://doi.org/10.14325/mississippi/9781496812469.001.0001

Farrier, David. Anthropocene Poetics: Deep Time, Sacrifice Zones, and Extinction. U of Minnesota P, 2019. https://doi.org/10.5749/j.ctvc5pcn9 DOI: https://doi.org/10.5749/j.ctvc5pcn9

Jones, Owain, Kate Rigby, and Linda Williams. “Everyday Ecocide, Toxic Dwelling, and the Inability to Mourn: A Response to Geographies of Extinction.” Environmental Humanities, vol. 12, no. 1, 2020, pp. 387–405. https://doi.org/10.1215/22011919-8142418 DOI: https://doi.org/10.1215/22011919-8142418

Klassen, Chris. “Embodiment through Comics.” The Bloomsbury Handbook of the Cultural and Cognitive Aesthetics of Religion, edited by Anne Koch and Katharina Wilkens, Bloomsbury, 2019, pp. 165–74. https://doi.org/10.5040/9781350066748.ch-015 DOI: https://doi.org/10.5040/9781350066748.ch-015

McCloud, Scott. Understanding Comics: The Invisible Art. William Morrow, 1993.

McGuire, Richard. Here. Pantheon, 2014.

McGuire, Richard. Tutaj. Wydawnictwo Komiksowe, 2016.

Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard UP, 2011. https://doi.org/10.4159/harvard.9780674061194 DOI: https://doi.org/10.4159/harvard.9780674061194

Petersen, Robert S. Comics, Manga, and Graphic Novels: A History of Graphic Narratives. ABC-CLIO, 2001.

Robin, Libby. “The View from Off-Centre: Sweden and Australia in the Imaginative Discourse of the Anthropocene.” Nature, Temporality and Environmental Management: Scandinavian and Australian Perspectives on Peoples and Landscapes, edited by Lesley Head et al., Routledge, 2016, pp. 59–74. https://doi.org/10.4324/9781315597591-5 DOI: https://doi.org/10.4324/9781315597591-5

Sacco, Joe. Paying the Land. Jonathan Cape, 2020.

Sacco, Joe. The Great War: July 1, 1916: The First Day of the Battle of the Somme. Jonathan Cape, 2013.

Snyder, Scott, and Yanick Paquette. Swamp Thing: Protector of the Green. DC Comics, 2019.

Sobelle, Stefanie. “Rhyming Times: The Architecture of Progressive Time and Simultaneity in Richard McGuire’s Here.” Writing about Time: Essays on American Literature, edited by Cindy Weinstein, Cambridge UP, 2019, pp. 206–25. https://doi.org/10.1017/9781108525510.012 DOI: https://doi.org/10.1017/9781108525510.012

Sousanis, Nick. Unflattening. Harvard UP, 2015.

Swyngedouw, Erik. “Apocalypse Forever? Post-political Populism and the Spectre of Climate Change.” Theory, Culture & Society, vol. 27, no. 2–3, 2010, pp. 213–32. https://doi.org/10.1177/0263276409358728 DOI: https://doi.org/10.1177/0263276409358728

Tuan, Yi-Fu. “Space and Place: Humanistic Perspective.” Philosophy in Geography, edited by Stephen Gale and Gunnar Olsson, Reidel, 1979, pp. 387–427. https://doi.org/10.1007/978-94-009-9394-5_19 DOI: https://doi.org/10.1007/978-94-009-9394-5_19

Zalasiewicz, Jan. “The Extraordinary Strata of the Anthropocene.” Nature and Value, edited by Akeel Bilgrami, Columbia UP, 2020, pp. 29–45. https://doi.org/10.7312/bilg19462-006 DOI: https://doi.org/10.7312/bilg19462-006

Zalasiewicz, Jan, et al. “The Anthropocene: Comparing Its Meaning in Geology (Chronostratigraphy) with Conceptual Approaches Arising in Other Disciplines.” Earth’s Future, vol. 9, 2021. https://doi.org/10.1029/2020EF001896 DOI: https://doi.org/10.1029/2020EF001896

Downloads

Published

2022-11-24

How to Cite

Olsza, Małgorzata. 2022. “Comics in the Anthropocene: Graphic Narratives of Apocalypse, Regeneration and Warning”. Text Matters: A Journal of Literature, Theory and Culture, no. 12 (November): 51-68. https://doi.org/10.18778/2083-2931.12.03.