Tom 29 Nr 44 (2024)

Pokaż Tom 29 Nr 44 (2024)

Opublikowane: 2024-09-18

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Articles

Shakespeare Translators’ Voices: The 21st Century Perspective

Anna Cetera-Włodarczyk, Jesús Tronch, Paula Baldwin Lind, Nikos Hatzopoulos, Iolanda Plescia, Elena Ciobanu, Piotr Kamiński, Elisabeth Plessen, Salvador Oliva, Mickaël Savchenko, Sándor Fazekas, Filip Krajník, Anna Hrdinová

13-38
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Shylock in Fuquieo: Shakespeare’s The Merchant of Venice and the Trial of a Portuguese Stranger by China’s Courts in Richard Hakluyt’s Principal Navigations

Rhema Mei Lan Hokama

39-60
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Radicalising Shakespeare: Staging the Sri Lankan Juliet in Julietge Bhumikawa

K. C. P. Warnapala

61-79
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Figuring Displacement: Spaces of Imagination in Early Modern and Postmodern Intertextual Transmissions

Adela Matei

81-94
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A Tempest and The Tempest: Aimé Césaire and Shakespeare

Mythili Kaul

95-113
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“Yet in His Idle Fire:” Once More unto the Bertram and All’s Well

Thomas Clayton

115-130
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Aberrant Shakespeare: Ron Athey’s Excesses, Bataille’s Solar Anus, Becomings-Macbeth

Sam Kolodezh, Bryan Reynolds

131-148
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Shakespeare and Covid Drama in This England (Winterbottom, 2022)

Agnieszka Rasmus

149-164
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Reclaiming Cross-Dressing: Masculinity Construction in the All-Female Yue Opera’s Shakespearean Adaptations

Yueqi Wu

165-182
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The Cultural Paradox of All-Male Performance: (Dis)Figuring the Third Beauty in the Studio Life’s Twelfth Night

Boram Choi

183-200
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Exploring the Visual and Performative Appropriation of Shakespeare in Pakistani Theatres

Zakia Resshid

201-215
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Other

Tom Clayton (December 15, 1932 – August 9, 2023)

Monica Matei-Chesnoiu

3-4
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Contributors

Anna Kowalcze-Pawlik

7-10
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Introduction

Anna Kowalcze-Pawlik

11-12
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Book Reviews

Weijian Lin, Xiaoye Dong, Yao Yao, Jiao Min, Yu Sun, Jiaqing Shi

217-246
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Theatre Reviews

Maria Sławińska

247-251
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