Shakespeare Translators’ Voices: The 21st Century Perspective

Anna Cetera-Włodarczyk; Jesús Tronch; Paula Baldwin Lind; Nikos Hatzopoulos; Iolanda Plescia; Elena Ciobanu; Piotr Kamiński; Elisabeth Plessen; Salvador Oliva; Mickaël Savchenko; Sándor Fazekas; Filip Krajník; Anna Hrdinová

doi:10.18778/2083-8530.29.02

Autor

Anna Cetera-Włodarczyk Uniwersytet Warszawski https://orcid.org/0000-0001-5711-4867
Jesús Tronch University of Valencia, Spain https://orcid.org/0000-0003-3950-0005
Paula Baldwin Lind Universidad de los Andes, Chile https://orcid.org/0000-0003-2043-9304
Nikos Hatzopoulos
Iolanda Plescia Sapienza University of Rome, Italy
Elena Ciobanu Vasile Alecsandri University of Bacau, Romania
Piotr Kamiński
Elisabeth Plessen
Salvador Oliva
Mickaël Savchenko
Sándor Fazekas Hungarian Agricultural and Life University, Kaposvár, Hungary https://orcid.org/0000-0002-4517-7112
Filip Krajník Masaryk University, Czech Republic
Anna Hrdinová Masaryk University, Czech Republic

DOI:

https://doi.org/10.18778/2083-8530.29.02

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Biogramy autorów

Anna Cetera-Włodarczyk - Uniwersytet Warszawski

is Associate Professor of English literature at the University of Warsaw. Her publications include several monographs centred on Shakespeare and translation either in theatrical context or within Polish cultural history and a number of essays on drama analysis and literary translation (CUP, Palgrave, Shakespeare, Cahiers Élisabéthains). In the years 2016-2024 she managed two state-aimed projects at digitising all Polish 19^th-21^st century Shakespeare translations (http://polskiszekspir.uw.edu.pl), whereas since 2009 she has been editing a critical series of new translations of Shakespeare (currently 6 volumes). She is member of ISA, ESRA and CEESRA.

Jesús Tronch - University of Valencia, Spain

is a university teacher and researcher at the Universitat de València Estudi General. His research focuses on the transmission and editing of the texts of early modern English drama (often in comparison with Spanish theatre), on the use of digital technologies in this research, and on the reception and translation of Shakespeare in Spain. Among his monographs, he has published A Synoptic ‘Hamlet’ (2002), and coedited with Clara Calvo The Spanish Tragedy for Arden Early Modern Drama (2013). He is currently co-directing the open-access EMOTHE database and digital library of Early Modern European Theatre.

Bibliografia

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