The Fifth Slovene Hamlet: Return to Tradition?

Authors

  • Marija Zlatnar Moe University of Ljubljana

DOI:

https://doi.org/10.1515/mstap-2017-0023

Keywords:

literary translation, drama translation, central to peripheral translation, Hamlet, translation strategies, style

Abstract

Over the nearly two centuries that Hamlet has been a fixture of the Slovene cultural firmament, the complete text has been translated five times, mostly by highly esteemed figures of Slovene literature and literary translation. This article focuses on the most recent translation, which was done by the prominent Slovene drama translator Srečko Fišer for a performance at the National Theatre in Ljubljana in 2013. It examines the new translation’s relations to its source text as well as to the previous translations. After the late twentieth century, when Hamlet was regarded as a text to be challenged, this new translation indicates the return to the tradition of reverence both for the source text and its author, and for the older translations. This is demonstrated on all levels, from the choice of source text edition, which seems to bear more similarities with the older translations than with the most recent predecessors, to the style, which echoes the solutions used by the earlier translators. Fišer continues the Slovenian tradition to a far greater extent than the two translators twenty years ago, by using the same strategies as the early translators, not fixing what was not broken, and only adding his own interpretation to the existing ones, instead of challenging or ignoring them. At the same time, however, traces of subversion of the source text can be detected, not in the form of rebellion, but rather as a mild disregard. This latest translation is the first one to frequently reshuffle the text. It is also the first to subordinate meaning to style. This all indicates that despite the apparent return to tradition, the source text is no longer treated with the reverence of the past.

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Author Biography

Marija Zlatnar Moe, University of Ljubljana

Assistant Professor at the Faculty of Arts, University of Ljubljana (Slovenia). She works at the Department of Translation where she teaches general translation courses from English into Slovene at BA level, and literary translation and translation for arts and humanities at MA level. She received her PhD in literary studies in 2003. Her research is focused mainly on literary translation, the ideological issues of translation, and translation didactics. She also works as a part-time literary translator from English and Norwegian into Slovene.

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Published

2017-12-30

How to Cite

Zlatnar Moe, M. (2017). The Fifth Slovene Hamlet: Return to Tradition?. Multicultural Shakespeare: Translation, Appropriation and Performance, 16(31), 127–143. https://doi.org/10.1515/mstap-2017-0023

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