Questioning the ‘of’ in Performance-as-translation: Multimedia as a Subtext in the 2003 Pécs Performance ‘of’ Hamlet

Márta Minier

doi:10.1515/mstap-2017-0021

Authors

Márta Minier University of South Wales

DOI:

https://doi.org/10.1515/mstap-2017-0021

Keywords:

Shakespeare reception, Shakespeare translation, retranslation, Hamlet, Shakespeare in Hungary, drama translation, Ádám Nádasdy, intersemiotic translation, adaptation, structural transformation, performance as translation, multimedia performance, performan

Abstract

This article explores a theatre performance (National Theatre Pécs, 2003, dir. Iván Hargitai) working with a 1999 Hungarian translation of Hamlet by educator, scholar, translator and poet Ádám Nádasdy as a structural transformation (Fischer-Lichte 1992) of the dramatic text for the stage. The performance is perceived as an intersemiotic translation but not as one emerging from a source-to-target one-way route. The study focuses on certain substructures such as the set design and the multimedial nature of the performance (as defined by Giesekam 2007), and by highlighting intertextual and hypertextual ways of accessing this performance-as-translation it questions the ‘of’ in the ‘performance of Hamlet (or insert other dramatic title)’ phrase. This experimentation with the terminology around performance-as-translation also facilitates the unveiling of a layer of the complex Hungarian Hamlet palimpsest, which, as a multi-layered cultural phenomenon, consists of much more than literary texts: its fabric includes theatre performance and other creative works.

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Author Biography

Márta Minier, University of South Wales

Lecturer in Drama at the University of South Wales, UK, and a Senior Fellow of the Higher Education Academy. Her key areas of expertise are Shakespeare studies (with particular emphasis on Shakespeare reception), translation studies, adaptation studies and East-Central European cultural studies. She has co-edited a peer-reviewed journal issue on ‘Hamlet and Poetry’ (New Readings, 2012) and a collection of articles on the contemporary British biopic as adaptation (Ashgate, 2014). She is in the process of completing the co-editorial work on a thematic journal issue for Textus addressing the performance of narrative across media. Márta is co-editor of the Journal of Adaptation in Film & Performance.

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