Theatre reviews: Jovial Usurper in the Traditional Kyogen Style: Kuninusubito (based on Richard III) at the Setagaya Public Theatre, Tokyo

Similar Articles

• Mori Nakatani, The Shifting Appreciation of "Hamlet" in Its Japanese Novelizations: Hideo Kobayashi’s "Ophelia’s Will" and Its Revisions , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 21 No. 36 (2020)
• Andoni Cossio, Martin Simonson, Arboreal Tradition and Subversion: An Ecocritical Reading of Shakespeare’s Portrayal of Trees, Woods and Forests , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 21 No. 36 (2020)
• Joseph Campana, Afterword: Posthumanism—Past, Present and Future , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 24 No. 39 (2021): Thematic Volume: Shakespeare Our Posthumanist
• Ayman Abu-Shomar, The Enemy Other: Discourse of Evil in William Shakespeare’s "The Tempest" , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 25 No. 40 (2022): Shakespeare and Ideology on Page and Stage
• Francisco Javier Díaz Pérez, Shakespeare in Galician and Spanish. On the Translation of Puns in "Hamlet” , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010
• Mark Sokolyansky, The Half-Forbidden Play in Soviet Shakespeare Criticism of the 1920-50s , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010
• Irena R. Makaryk, “Brief candle"?: Shakespeare in Afghanistan , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010
• Rosemary Gaby, Open-air Appropriations: Shakespeare from Sand Harbor to Balmoral Beach , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010
• Sharmistha Chatterjee Sriwastav, Book Reviews: Nevstok, Scott L., ed. Kenneth Burke on Shakespeare. West Lafayette (Indiana): Parlor Press, 2007. Pp lv + 308. , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010
• Ryuta Minami, Theatre Reviews: Noh King Lear. Dir. Kuniyoshi Munakata Ueda. Kanze School. Kioi Hall (Small Hall), Tokyo, 29 April 2009. , Multicultural Shakespeare: Translation, Appropriation and Performance: 2010

<< < 21 22 23 24 25 26 27 > >> 

You may also start an advanced similarity search for this article.