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• Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings

  Zsolt Almási, Krystyna Kujawińska Courtney, Mădălina Nicolaescu, Klára Škrobánková, Ema Vyroubalova, Oana-Alis Zaharia

  45-68

  2023-12-30

• Popular and Populist Shakespearean Transcreations in Central and Eastern Europe

  Nicoleta Cinpoeş, Kornélia Deres, Jacek Fabiszak, Kinga Földváry, Veronika Schandl

  69-88

  2023-12-30

• Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities

  Kirilka Stavreva, Boika Sokolova, Natália Pikli, Jana Wild

  23-44

  2023-12-30

• Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond

  Anna Cetera-Włodarczyk, Šárka Havlíčková Kysová, Anna Kowalcze-Pawlik, Ivona Mišterová, Gabriella Reuss

  89-108

  2023-12-30

• Book Reviews

  Coen Heijes, William Baker, Elena Yuan, Sun Yanna

  161-178

  2018-12-30

• Book Reviews

  Coen Heijes, Renfang Tang, Xu Jia, Qiao Xueying

  113-128

  2018-06-30

• From Metaphor to Metonym: Shakespearean Recognition in the United States University

  Carla Della Gatta

  179-193

  2023-12-20

• Introduction: Local/Global Shakespeare

  Yoshiko Kawachi

  9-19

  2024-12-30

• Contributors

  Yoshiko Kawachi

  5-8

  2024-12-30

• Introduction: Shakespeare, Blackface and Performance. A Global Perspective

  Coen Heijes, Ayanna Thompson

  9-14

  2020-12-30

• Book Reviews

  Yarong Wu, Eleonora Ringler-Pascu, Hisao Oshima, Mengtian Cui, Coen Heijes

  161-182

  2019-06-30

• “You have served me well:" The Shakespeare Empire in Central Europe

  Pavel Drábek

  109-140

  2023-12-30

• Shakespeare Comes to Bengal

  Sukanta Chaudhuri

  31-46

  2023-12-20

• Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

  Emi Hamana

  73-85

  2016-12-30

• Introduction: Shakespeare in Cross-Cultural Spaces

  Robert Sawyer, Varsha Panjwani

  9-14

  2017-06-30

• Book Reviews

  Guixia Xie, Sabina Laskowska-Hinz, Ted Motohashi, Jie Tang, Yuying Wang

  165-192

  2023-12-20

• “Nor doth this wood lack worlds of company:” the American Performance of Shakespeare and the White-Washing of Political Geography

  John M. Meyer

  119-146

  2023-12-20

• Not Minding the Gap: Intercultural Shakespeare in Britain

  Varsha Panjwani

  43-57

  2017-06-30

• A Cognitive Approach to Shakespeare Plays in Immersive Theatre: With a Special Focus on Punchdrunk’s "Sleep No More" in New York (2011-) and Shanghai (2016-)

  Emi Hamana

  13-26

  2020-06-30

• How Should You Perform and Watch Othello and Hairspray in a Country Where You Could Never Hire Black Actors? Shakespeare and Casting in Japan

  Kitamura Sae

  87-101

  2020-12-30

• An Interview with W.B. Worthen

  W.B. Worthen, Krystyna Kujawińska Courtney

  15-20

  2018-06-30

• “Shakespeare is a Finnish national poet:” Developing Finnish Shakespeare Scholarship from the Enlightenment to the Twentieth Century

  Laina Southgate

  107-123

  2023-12-20

• Shakespeare across the Taiwan Strait: A Developmental Perspective

  Yu Sun, Longhai Zhang

  115-131

  2019-12-30

• Reclaiming Cross-Dressing: Masculinity Construction in the All-Female Yue Opera’s Shakespearean Adaptations

  Yueqi Wu

  165-182

  2024-09-18

• Hamlet, or about Death: A Romanian Hamlet directed by Vlad Mugur (2001)

  Monica Matei-Chesnoiu

  51-60

  2019-12-30