No. 12 (2019): Typy twórczości literackiej: od mistrza pióra do grafomana - 2

					View No. 12 (2019): Typy twórczości literackiej: od mistrza pióra do grafomana - 2

Zadanie realizowane ze środków MNiSW na podstawie umowy nr 305/WCN/2019/1 z dn. 28.08.2019 r. w ramach programu Wsparcie dla Czasopism NaukowychLOGO_MNiSW_PL8.jpg

Published: 2019-10-24

Full Issue

Articles

  • The Masonic Discourse about New Russia: on the Specific Nature of the Fictional Universes in the Russian Masonic Utopias of the 18th Century

    Alina Orłowska
    11-23
    DOI: https://doi.org/10.18778/1427-9681.12.03
  • Original Vs Borrowed: The Borrowing Mechanism in the Russian Seminary Poetry of the Second Half of the 18th Century (Based on the Materials from the Tver Theological Seminary)

    Alina Silina
    25-35
    DOI: https://doi.org/10.18778/1427-9681.12.04
  • Attitude to Foreign Languages in Russian Literature

    Alexander Graf
    37-50
    DOI: https://doi.org/10.18778/1427-9681.12.05
  • The Parodic Novel „My Uncle” by N. G. Kuzmich and Pushkin’s Novel in Verse „Eugene Onegin”

    Anna Warda
    51-63
    DOI: https://doi.org/10.18778/1427-9681.12.06
  • Yakov Polonsky as a Predecessor of the Russian Symbolism: the Poetics of the Lyrical Cycle (Polonsky’s "Dreams" and „The Life of my Friend” by Blok)

    Tatiana Fedoseeva
    65-79
    DOI: https://doi.org/10.18778/1427-9681.12.07
  • „Medalions” by Igor Severyanin – the Problem of the Translation to Polish Language (Analysis and Translation)

    Anna Bednarczyk
    81-97
    DOI: https://doi.org/10.18778/1427-9681.12.08
  • „The Life of Matvei Kozhemyakin” by Maxim Gorky: Reflecting on the Genre

    Danuta Szymonik
    99-108
    DOI: https://doi.org/10.18778/1427-9681.12.09
  • The Poetry of Galina Kuznetsova in the Context of Ivan Bunin’s Writing (the Thematic Aspect)

    Patryk Witczak
    109-120
    DOI: https://doi.org/10.18778/1427-9681.12.10
  • Zakhar Prilepin: a Literary Portrait

    Aldona Borkowska
    121-130
    DOI: https://doi.org/10.18778/1427-9681.12.11
  • The Generic Uniqueness of Yuri Klavdiev’s Play „The Victorious One”

    Evgeniia Safargaleeva
    131-140
    DOI: https://doi.org/10.18778/1427-9681.12.12
  • The Threshold Situation in Edvard Radzinsky’s Historical Parable „Lunin, or the Death of Jacques”

    Olga Zhurcheva
    141-149
    DOI: https://doi.org/10.18778/1427-9681.12.13
  • Montage as a Plot-Forming Method in Vadim Levanov’s Dramaturgy

    Tatiana Zhurcheva
    151-160
    DOI: https://doi.org/10.18778/1427-9681.12.14
  • The Image of the Soviet Man in Svetlana Alexievich’s Novel „Chernobyl Prayer: a Chronicle of the Future”

    Anna Stępniak
    161-172
    DOI: https://doi.org/10.18778/1427-9681.12.15
  • Viktor Shklovsky in Dialogue with Shakespeare

    Liudmila Mnikh
    173-181
    DOI: https://doi.org/10.18778/1427-9681.12.16
  • Cultural Patterns in Ilya Kormiltsev’s Poetry (Based on the Poem „Claws”)

    Anastasiia Iavtseva
    183-188
    DOI: https://doi.org/10.18778/1427-9681.12.17
  • The Classical Tradition of „Parting with St. Petersburg” as Reflected in Non-Classical Poetry of the 21st Century

    Larisa Liapina
    189-197
    DOI: https://doi.org/10.18778/1427-9681.12.18
  • Evgeny Vodolazkin’s „The Aviator” as a Diary Genre

    Magdalena Wojciechowska
    199-211
    DOI: https://doi.org/10.18778/1427-9681.12.19
  • The Issue of Freedom in Olga Sedakova’s Essays: the Intertextual Aspect

    Daniel Banasiak
    213-226
    DOI: https://doi.org/10.18778/1427-9681.12.20
  • The Phenomenon of Guzel Yakhina: on the Reception of the Novel „Zuleikha Opens her Eyes”

    Vera Sitnikova
    227-240
    DOI: https://doi.org/10.18778/1427-9681.12.21
  • Playing with the Dramaturgical Tradition in Anna Kashina’s Play „Duma”

    Paulina Sikora-Krizhevska
    241-249
    DOI: https://doi.org/10.18778/1427-9681.12.22

Other

  • Od Redakcji

    Anna Warda
    7
    DOI: https://doi.org/10.18778/1427-9681.12.01
  • От редакции

    Siergiej Nikołajew
    9
    DOI: https://doi.org/10.18778/1427-9681.12.02