It Is Not Our Problem: Socio-Politics at the Olympic Museum in Lausanne

Timothy Bridgman

doi:10.18778/1427-9657.14.2.01

Autor

Timothy Bridgman Uniwersytet Łódzki https://orcid.org/0000-0001-8796-2736

DOI:

https://doi.org/10.18778/1427-9657.14.2.01

Słowa kluczowe:

Muzeum Olimpijskie w Lozannie, Międzynarodowy Komitet Olimpijski, Igrzyska Olimpijskie, arena społeczno-polityczna, dziedzictwo sportowe, publiczna historia sportu, muzealna polityka ekspozycji, pełnomocnik polityczny

Abstrakt

Artykuł analizuje, w jaki sposób Muzeum Olimpijskie w Lozannie odnosi się w swoich stałych ekspozycjach do kwestii społeczno-politycznych występujących podczas wcześniejszych igrzysk olimpijskich. Przedstawia tło wcześniejszej polityki olimpijskiej oraz teorii interesariuszy olimpijskich, sugerując istnienie społeczno-politycznej areny w sporcie olimpijskim, a następnie identyfikuje eksponaty w muzeum, które przekazują treści wyraźnie społeczno-polityczne. Tematyczne obserwacje zebrane podczas dwóch oddzielnych wizyt w muzeum stanowią podstawę twierdzenia, że muzeum w większym stopniu zaczęło uznawać igrzyska olimpijskie za arenę społeczno-polityczną. Jednak wywiad przeprowadzony z przedstawicielami muzeum nie potwierdził tego wniosku, ponieważ instytucja ta starała się raczej zdystansować zarówno od samej tematyki, jak i od badań akademickich. W zakończeniu zaproponowano wyjaśnienie działań muzeum w kategoriach zaprzeczania odpowiedzialności politycznej oraz odrzucenia koncepcji polityki ekspozycji.

Biogram autora

Timothy Bridgman - Uniwersytet Łódzki

Tim Bridgman is currently a guest lecturer and PhD doctoral student at the Faculty of International and Political Studies at the University of Lodz, where he researches sociopolitical responsibility at sports mega-events as well as teaches classes in sustainable development and conversation. Over the last 25 years, Tim has worked for the University of Lodz on three separate occasions, for two faculties, and in four departments, where he has taught specialization courses in subjects as diverse as Afro-British fusion music, digital literature, and journalism. He also has a professional background in intercultural training, business conference organizing, advertising copywriting, and was the founding manager of an online music marketing company in the early days of Web 2.0.

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