No. 5 (2015): Collecting, Archiving, Publishing

Edited by Jadwiga Maszewska

Published: 2015-11-17

Full Issue

Articles

To Archive or Not to Archive: The Resistant Potential of Digital Poetry

Aaron Angello

13-27
- PDF
The Continuing Story of the Yiddish Language: The Yiddish Book Center in Amherst, Massachusetts

Brygida Gasztold

28-40
- PDF
Anthology and Absence: The Post-9/11 Anthologizing Impulse

Anne Lovering Rounds

41-50
- PDF
Thoreau and Spadina Dreamers Unite: Idealistic Communities in Canadian Publishing

Norman Ravvin

53-61
- PDF
The Limits of Language as the Limits of the World: Cormac McCarthy’s and David Markson’s Post-Apocalyptic Novels

Paulina Ambroży

62-78
- PDF
“Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man

Krzysztof Majer

79-94
- PDF
Charles Willson Peale’s The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America

Bryan J. Zygmont

95-110
- PDF
“You Avenge the Others”: The Portrait of a Femme Fatale in Gladys Huntington’s Madame Solario

Alicja Piechucka

111-127
- PDF
The Double Man: W. H. Auden’s Transatlantic Transformation

Jacek Partyka

128-147
- PDF
From Physical to Spiritual Errand: The Immigrant Experience in John Winthrop, William Bradford, and Samuel Danforth

Justyna Fruzińska

148-158
- PDF
Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery

Kacper Bartczak

159-176
- PDF
“An Inner Comprehension of the Pueblo Indian’s Point of View”: Carl Gustav Jung’s 1925 Visit to Taos, New Mexico

Zbigniew Maszewski

177-188
- PDF
In Praise of Slacking: Richard Linklater’s Slacker and Kevin Smith’s Clerks as Hallmarks of 1990s American Independent Cinema Counterculture

Katarzyna Małecka

189-204
- PDF
Going to America to See the Fens Better? Stephen Gyllenhaal’s Waterland

Adam Sumera

205-217
- PDF
thurnauer: vt and vi, to paint in the second person

Rod Mengham

221-230
- PDF
Framing Madame B: Quotation and Indistinction in Mieke Bal and Michelle Williams Gamaker’s Video Installation

Dorota Filipczak

231-244
- PDF

Other

Editorial

Jadwiga Maszewska

7-10
- PDF
Reviews and Interviews / Contributors

Norman Ravvin, Sherry Simon, Krzysztof Majer, Justyna Fruzińska, Agnieszka Salska, Jadwiga Maszewska, Zbigniew Maszewski

247-281
- PDF

No. 5 (2015): Collecting, Archiving, Publishing

Full Issue

Articles

To Archive or Not to Archive: The Resistant Potential of Digital Poetry

The Continuing Story of the Yiddish Language: The Yiddish Book Center in Amherst, Massachusetts

Anthology and Absence: The Post-9/11 Anthologizing Impulse

Thoreau and Spadina Dreamers Unite: Idealistic Communities in Canadian Publishing

The Limits of Language as the Limits of the World: Cormac McCarthy’s and David Markson’s Post-Apocalyptic Novels

“Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man

Charles Willson Peale’s The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America

“You Avenge the Others”: The Portrait of a Femme Fatale in Gladys Huntington’s Madame Solario

The Double Man: W. H. Auden’s Transatlantic Transformation

From Physical to Spiritual Errand: The Immigrant Experience in John Winthrop, William Bradford, and Samuel Danforth

Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery

“An Inner Comprehension of the Pueblo Indian’s Point of View”: Carl Gustav Jung’s 1925 Visit to Taos, New Mexico

In Praise of Slacking: Richard Linklater’s Slacker and Kevin Smith’s Clerks as Hallmarks of 1990s American Independent Cinema Counterculture

Going to America to See the Fens Better? Stephen Gyllenhaal’s Waterland

thurnauer: vt and vi, to paint in the second person

Framing Madame B: Quotation and Indistinction in Mieke Bal and Michelle Williams Gamaker’s Video Installation

Other

Editorial

Reviews and Interviews / Contributors

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