No. 5 (2015): Collecting, Archiving, Publishing

View No. 5 (2015): Collecting, Archiving, Publishing

Edited by Jadwiga Maszewska

Published: 2015-11-17

Full Issue

Articles

  • To Archive or Not to Archive: The Resistant Potential of Digital Poetry

    Aaron Angello
    13-27
    DOI: https://doi.org/10.1515/texmat-2015-0002

  • The Continuing Story of the Yiddish Language: The Yiddish Book Center in Amherst, Massachusetts

    Brygida Gasztold
    28-40
    DOI: https://doi.org/10.1515/texmat-2015-0003

  • Anthology and Absence: The Post-9/11 Anthologizing Impulse

    Anne Lovering Rounds
    41-50
    DOI: https://doi.org/10.1515/texmat-2015-0004

  • Thoreau and Spadina Dreamers Unite: Idealistic Communities in Canadian Publishing

    Norman Ravvin
    53-61
    DOI: https://doi.org/10.1515/texmat-2015-0005

  • The Limits of Language as the Limits of the World: Cormac McCarthy’s and David Markson’s Post-Apocalyptic Novels

    Paulina Ambroży
    62-78
    DOI: https://doi.org/10.1515/texmat-2015-0006

  • “Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man

    Krzysztof Majer
    79-94
    DOI: https://doi.org/10.1515/texmat-2015-0007

  • Charles Willson Peale’s The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America

    Bryan J. Zygmont
    95-110
    DOI: https://doi.org/10.1515/texmat-2015-0008

  • “You Avenge the Others”: The Portrait of a Femme Fatale in Gladys Huntington’s Madame Solario

    Alicja Piechucka
    111-127
    DOI: https://doi.org/10.1515/texmat-2015-0009

  • The Double Man: W. H. Auden’s Transatlantic Transformation

    Jacek Partyka
    128-147
    DOI: https://doi.org/10.1515/texmat-2015-0010

  • From Physical to Spiritual Errand: The Immigrant Experience in John Winthrop, William Bradford, and Samuel Danforth

    Justyna Fruzińska
    148-158
    DOI: https://doi.org/10.1515/texmat-2015-0011

  • Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery

    Kacper Bartczak
    159-176
    DOI: https://doi.org/10.1515/texmat-2015-0012

  • “An Inner Comprehension of the Pueblo Indian’s Point of View”: Carl Gustav Jung’s 1925 Visit to Taos, New Mexico

    Zbigniew Maszewski
    177-188
    DOI: https://doi.org/10.1515/texmat-2015-0013

  • In Praise of Slacking: Richard Linklater’s Slacker and Kevin Smith’s Clerks as Hallmarks of 1990s American Independent Cinema Counterculture

    Katarzyna Małecka
    189-204
    DOI: https://doi.org/10.1515/texmat-2015-0014

  • Going to America to See the Fens Better? Stephen Gyllenhaal’s Waterland

    Adam Sumera
    205-217
    DOI: https://doi.org/10.1515/texmat-2015-0015

  • thurnauer: vt and vi, to paint in the second person

    Rod Mengham
    221-230
    DOI: https://doi.org/10.1515/texmat-2015-0016

  • Framing Madame B: Quotation and Indistinction in Mieke Bal and Michelle Williams Gamaker’s Video Installation

    Dorota Filipczak
    231-244
    DOI: https://doi.org/10.1515/texmat-2015-0017

Other

  • Editorial

    Jadwiga Maszewska
    7-10
    DOI: https://doi.org/10.1515/texmat-2015-0001

  • Reviews and Interviews / Contributors

    Norman Ravvin, Sherry Simon, Krzysztof Majer, Justyna Fruzińska, Agnieszka Salska, Jadwiga Maszewska, Zbigniew Maszewski
    247-281
    DOI: https://doi.org/10.1515/texmat-2015-0018