Exploring the Visual and Performative Appropriation of Shakespeare in Pakistani Theatres

Zakia Resshid

doi:10.18778/2083-8530.29.12

Autor

Zakia Resshid Institute of English Studies, University of the Punjab, Lahore, Pakistan https://orcid.org/0000-0002-6522-2320

DOI:

https://doi.org/10.18778/2083-8530.29.12

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Słowa kluczowe:

Hamlet, Richard III, sign and symbols, Pakistani Theatre, NAPA, Aesthetics

Abstrakt

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Biogram autora

Zakia Resshid - Institute of English Studies, University of the Punjab, Lahore, Pakistan

Zakia Resshid Ehsen is a Ph.D. in English Studies with over fifteen years in academia. She has served as an Assistant Professor at Riphah International University and Garrison Post Graduate College, and has been a visiting faculty member at the University of the Punjab. Zakia holds certificates in creative writing and English literature from institutions such as the University of Edinburgh, University of Reading, University of Sweden, and Wesleyan University. Her research, including papers published in Shakespeare and Contemporary Social Science, focuses on Post-Colonialism, Shakespearean Studies, and Critical Theory. She is an active member of the South Asian Literary Association and NeMLA.

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