Macbeth in Wartime Ukraine

Viktoriia Marinesko; Anastasiia Brynko

doi:10.18778/2083-8530.31.12

Authors

Viktoriia Marinesko Classic Private University, Ukraine https://orcid.org/0000-0001-6747-8664
Anastasiia Brynko Cherkasy Music and Drama Theatre, Ukraine https://orcid.org/0009-0005-7310-3291

DOI:

https://doi.org/10.18778/2083-8530.31.12

Keywords:

Macbeth in Eastern Europe, Macbeth in Ukraine, Shakespeare in performance, Les Kurbas, contemporary Ukrainian theatre

Abstract

The article discusses the production of Macbeth by The Taras Shevchenko Academic Regional Ukrainian Music and Drama Theatre of Cherkasy, Ukraine. Directed by Stanislav Sadakliiev, this production of Macbeth premiered on 27 January 2024 and paved the way for a new series of theatrical adaptations of the Scottish play produced during the Russian-Ukrainian War. The first part of the article provides a brief overview of Macbeth’s theatrical reception in Ukraine, while the second part focuses on the 2024 staging, including the translation used to produce the effect of urgency for Macbeth in Ukrainian.

Author Biographies

Viktoriia Marinesko, Classic Private University, Ukraine

Viktoriia Marinesko, PhD, is a translator and lecturer at the Classic Private University in Zaporizhzhia, Ukraine. She specialises in translation studies and practice, as well as Shakespeare’s biographies and Shakespeare as a protagonist or character in translation.
Anastasiia Brynko, Cherkasy Music and Drama Theatre, Ukraine

Anastasiia Brynko is the Head of the Literary and Dramatic Department at the Taras Shevchenko Music and Drama Theatre of Cherkasy, a theatre critic, an actress, and a translator. She holds a Master of Arts in English from Bohdan Khmelnytsky National University of Cherkasy and a Master of Arts in Theatre Studies from the Karpenko-Karyi National University of Theatre, Cinema and Television. Her recent publications include “A Date with William” (Shakespeare Bulletin, 2024), co-authored with Viktoriia Marinesko, and “Emotive Lexicon of the Political Narrative: Ukraine and the West in Chinese Media” (Cognition, Communication, Discourse, 2022), co-authored with Svitlana Zhabotynska.

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