Theatre Reviews

Authors

  • İlker Özçelik Department of English Language and Literature, Faculty of Science and Letters, Suleyman Demirel University. Isparta, Turkey; Literature Section, School of Humanities, Arts and Social Sciences, Massachusetts Institute of Technology, Boston, USA

DOI:

https://doi.org/10.18778/2083-8530.21.12

Abstract

Some Shakespeare productions on the Turkish stage in 2017-2018: a one-man Hamlet, an all-wet Romeo and Juliet, and an all-male Merry Wives of Windsor.

Author Biography

  • İlker Özçelik, Department of English Language and Literature, Faculty of Science and Letters, Suleyman Demirel University. Isparta, Turkey; Literature Section, School of Humanities, Arts and Social Sciences, Massachusetts Institute of Technology, Boston, USA

    İlker Özçelik is Assistant Professor in English Literature at Süleyman Demirel University, Turkey. He is the regional editor of the open access Global Shakespeares digital performance archive of the Massachusetts Institute of Technology. He is an honorary visiting fellow at the School of English of the University of Leicester. His teaching and publications focus on Renaissance poetry and drama as well as contemporary Shakespearean performance. His broader interests include text technologies, computational stylistics and digital humanities.

References

And, Metin. “Theatre in Turkey.” Turkish Studies Association Bulletin 7.2 (1983): 20-31.

Bate, Jonathan. Introduction. The Public Value of the Humanities. Ed. Jonathan Bate. London: Bloomsbury, 2011. 1-14. DOI: https://doi.org/10.5040/9781849662451.0006

Dede Tekin, Gülin. “Shakespeare Ile Ruhdaş Olmak: Bülent Emin Yarar Ve Onur Ünsal.” 22 November 2018. Bant Mag. 25 May 2020. https://bantmag.com/shakespeare-ile-ruhdas-olmak-bulent-emin-yarar-ve-onur-unsal/

Halman, Talat S. “Shakespearean Art in the Turkish Heart: The Bard in the Ottoman Empire and the Turkish Republic”. Shakespeare 450. Ed. A. D. Bozer. Hacettepe University, 2014. 11-27.

Hübner, Falk. “Entering the Stage - Musicians as Theatrical Performers.” New Sound 36.2 (2010): 63-74.

Hunt, Hugh. “Restoration Acting”. Restoration Theatre. Ed. John Russell Brown and Bernard Harris. London: Arnold, 1965. 178-192.

Lawlor, John. The Tragic Sense in Shakespeare. New York: Harcourt, Brace, 1960.

Martin, Jennifer L. “Tights vs. Tattoos: Filmic Interpretations of Romeo and Juliet.” The English Journal 92.1 (2002): 41-46. DOI: https://doi.org/10.2307/821945

Mazanoğlu, E. S. Ç. “‘All the World is a Stage’: Shakespeare on the Turkish Stage.” Shakespeare 450. Ed. A. D. Bozer. Hacettepe University, 2014. 123-134.

McLaughlin, Erin M. “The Rise and Fall of Elizabethan Theatre.” Syracuse University Honors Program Capstone Projects 588. 2007. https://surface.syr.edu/honors_capstone/588

Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. New Folger edn. New York: Washington Square Press/Pocket Books, 1992.

Wilson, John Dover. What Happens in Hamlet. 1935. Cambridge: Cambridge UP, 1990.

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Published

2020-06-30

Issue

Section

Other

How to Cite

Özçelik, İlker. 2020. “Theatre Reviews”. Multicultural Shakespeare: Translation, Appropriation and Performance 21 (36): 187-96. https://doi.org/10.18778/2083-8530.21.12.